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P R A E
S I D I U M
A Journal of Literate and Literary Analysis
3.2 (Spring 2003)
A
quarterly publication of The Center for Literate Values
Board of
Directors:
John R. Harris, Ph.D.
(President)
Thomas F. Bertonneau,
Ph.D. (Secretary)
Helen R. Andretta,
Ph.D.; York College-CUNY
Ralph S. Carlson,
Ph.D.; Azusa Pacific University
Kelly Ann Hampton
Michael H. Lythgoe, Lt.
Col. USAF (Rtd.)
The
previous issue of Praesidium ( Winter
2003) may be viewed by
clicking here.
© All contents of this
journal (including poems, articles, fictional works, and short pieces by
staff) are copyrighted by The Center for Moral Reason of Tyler, Texas (200 3),
and may not be cited at length or reproduced without The Center's express
permission.
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Pensée de la Saison
Cuivis potest accidere
quod cuiquam potest (Publilius Syrus)...
"What happens to
anyone can happen to everyone."
CONTENTS
A Few Words from the
Editor
As the habit of reading vanishes, our grasp of
basic realities weakens and our taste grows robotic.
Kicking the Stone and
Viewing the Icon: Realist Epistemology Between Heaven and Earth
Jonathan Chaves
Originally presented in a symposium about Eric
Voegelin, this essay ranges far and wide through issues dealing with the
nature of reality—issues wherein our cultural foothold is increasingly
shaky.
Daggerpoints and
Loggerheads: A Sad Time’s Taste for Perverse Oppositions
John R. Harris
Among contrasts, there is contrast: some admit fine
shades of difference, and some pit irreconcilables against each other. Our
age needs to understand the distinction.
"Some Mornings on
the DMZ" and Other Poems
R.S. Carlson
As one war has exploded and fizzled out in a few
months, another continues to haunt many of us from a distance of more than
thirty years.
War of the Worlds:
Post-Literate Reporting Meets the Ugliness of Truth
Peter Singleton
Now that image is everything, the "reality of
war" depends on what makes a good wrap.
Spontaneous
Overflow
Ivor Davies
In this short story, a college professor wants to do
the right thing—but a young coed keeps tempting him with two very
persuasive arguments.
Star-Mangled Banner
Staff
Saddam’s statues have all been toppled: it
remains to be seen if flashing marquees will take their place.
Footprints in
the Snow of the Moon,
Chapter Six (excerpt from novel)
J.S. Moseby
Recalling his courtship of a troubled young woman
back in the mid-seventies, the narrator of this tale realizes that he must
collaborate in the girl’s self-degradation if he is to "earn"
her trust.
Common Sense Strikes
Out
Staff
What does Ty Cobb have to do with Antonio Azorín?
Hint: human folly knoweth no boundaries.
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A Few Words from the
Editor
Over the past few years, I have had occasion to follow
the vagaries of the publishing industry closely. I feel licensed to
declare with sad confidence that our culture is in no less trouble on the
creative front than elsewhere. The Internet has supposedly revolutionized
publishing; it has, in any event, certainly killed writing. The claim is
made that anyone can now put his or her opus before the entire world’s
eyes, and this is true. In fact, it’s the cusp of the problem. When
anybody can say anything, the practical upshot is not that everybody is
saying everything, but that nobody says much more than nothing. There is
no focus, no valuation of study and apprenticeship and maturing. We see
only a headlong sprint to the "world forum" with the most
narcissistic and undigested of preoccupations. One Web site which claims
to post new writing for the delectation of prospective agents and
publishers features an essay about a young woman who "cut myself but
wasn’t depressed", and also a treatise by a young man about
"the meaning of everything". The usual sanguinary rhapsodies
about psychopathic killers and imaginatively pinched cartoons about
extra-terrestrials are abundantly represented here; but, mirabile dictu,
they have registered few "hits". Could it be that the last two
decades’ obsession with serial killings and intergalactic feuds is
growing ho-hum? To judge from the prospering fortunes of "reality
TV", this is precisely the case. We can no longer reliably titillate
ourselves with extravagant escapism—the urge to slash our wrists is just
too imperative, and the hunger for a guru who can snatch away the blade
too vesane.
Which is what some of us have said all along would
happen to a society nourished on the cotton candy of special effects and
daydreams: it goes crazy, flirts with suicide, and lunges after impromptu
savior-figures. The trouble with our publishers is that, rather than raise
a paternal hand and smile, "No, this is what you need—classics
that have reared generations before you," they smell cash in the air
and close like a shark on blood. As much as the contemporary academy, in
my opinion, the publishing industry is the pandar to our spiritual stupra
(and MS Word’s pseudo-paternal red lines remind me that we have long
forgotten Homer’s Pandarus in our cultural adoration of the lowest
common denominator). Indeed, publishing is less and less distinguishable
from the solar system of Movies and TV and from that of video games: all
are merging into one annihilating black hole. The Web site I mentioned
above proudly features samples from its ten works most read by publishers
and those pandars of pandars, literary agents. At the very top of the list
is an insipid ramble straight out of Xena, or maybe Super Mario:
an Aztec virgin (or other paleo-Meso-American of unspecified type) is
being sacrificed to a jaguar or the Jaguar God or some god of jaguar
emissaries. Whatever, as the kids say. (What an appropriate comment in an
age when details are always lacking, out of focus, and—in any case—powerless
to redeem the whole!) The selection visibly bristles with brief
one-sentence paragraphs, which in turn slide easily over the mind in
somnolent clichés. ("The crowd sighed as one.") The
"editors" of this refuge for the narrative arts explicitly
recommend submitted samples of only a few hundred words taken from the
work’s opening. I guess that’s kind of like judging a symphony by its
first five seconds. (Dit-dit-dit-daah… "Sorry, Ludwig.
Next!")
If I dare to publish my own gloomy ruminations here, it
isn’t simply to share my "gut feelings" with the planet. The
fact is that at least three of our contributors in this issue possess
manuscripts of novels that may well never receive a bona fide
hearing from publishers eager to discover the next "chicken
soup" classic. ("Chicken soup for the soul nauseated on chicken
soup"?) I have taken the liberty of putting one more chapter from Mr.
Moseby’s work before our readership because, first, it’s a darn good
one, and second because the lapse of such psychologically rich portraits
as this beneath the radar of popular culture and profit-crazed publishing
illustrates the conclusion of my own piece: i.e., that the fine arts are
dead, or peu s’en faut. I am also leading up to the announcement
that Arcturus Press will soon cease to exist. Many of our readers know of
my association with that ill-starred venture. I mention its demise here to
forestall any rumor that Praesidium is also on the rocks. On the
contrary, the journal continues to pay for itself. In fact, I intend to
pursue a federal tax-exemption (again) which would allow us to expand our
audience greatly—and even to publish books at what would have to be
considered a loss, from a strictly commercial perspective. For there is
a third alternative, you see, to pandaring or starving: you emphasize, in
a manner which even a sinecured bureaucrat can understand, that you are an
educator. Publishers know about this option. They’re not afraid of
starving, only of not being able to dine like lords.
In a way which he couldn’t possibly have foreseen,
Professor Chaves has provided us an entry into these concerns. His long
essay on philosophical realism as the necessary basis of faith is the
cornerstone of the current issue, and it occurs to me that one might pose
oneself the following question. If we cannot, as a culture, find a reality
beyond our egotistical interests, peeves, manias, and manèges, how
can we claim to be a people of faith (as we do, apparently, on all the
polls)? I myself happen to disagree with the substance of Dr. Chaves’s
argument in ways that my essay explains; but the two of us, it’s clear,
believe in a bedrock reality which rejects senselessness and urges
responsibility. Each of us, to the best of his or her ability, having
tossed a propitiatory morsel to these sharks and jaguars and institutional
"facilitators" all around us, must move forward. ~J.H.
back to Contents
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Kicking the Stone
and Viewing the Icon: Realist Epistemology Between Heaven
and Earth
by
Jonathan Chaves
Jonathan Chaves earned his PhD in
Chinese Literature from Columbia University. He is professor of Chinese
language and literature at The George Washington University (Washington,
D.C.), and has published books and articles on classical Chinese poetry,
and traditional Chinese literary theory. He also studies the relationship
between poetry and painting in China, and guest-curated an exhibition on
this subject, "The Chinese Painter as Poet", for the Art Gallery
of The China Institute in America, New York City, in Fall 2000. One of his
books, Pilgrim of the Clouds (Weatherhill, 1978), was nominated for
the National Book Award in the translation category.
"It’s the first effect of not believing in God
that you lose your common sense and can’t see things as they are."
Father Brown in G.K. Chesterton, "The Oracle of the Dog" (1926)
I. The Void
It must be obvious to anyone who follows the
vicissitudes of contemporary intellectual life that we live in an age of
virtually complete relativism and even nihilism. Of course, it has been
realized nearly throughout the history of philosophy that an absolute
relativism is a contradiction in terms. When Aquinas, drawing upon
Aristotle, states that "the existence of truth in general is
self-evident", he is agreeing at least with this portion of the third
Objection in Pt. 1, Q.2, Art.1 of the Summa Theologica, "Whether
the Existence of God is Self-Evident":
… whoever denies the existence of truth grants that
truth does not exist: and, if truth does not exist, then the proposition
"Truth does not exist" is true: and if there is anything true,
there must be truth. 1
But even such rock-solid demonstrations as this no
longer trouble those of our intellectuals who consider themselves to live
in a radically new age, an age of what they now like to call
"postmodernism" (by the time this is written, they may well have
come up with a new name for it, as this is also an age of neologism run
amuck).
This use of this term, actually an obvious oxymoron,
appears to derive from a prior assumption that there has passed an age of
"modernism", dating from the Enlightenment, and characterized by
an attempt to comprehend everything—all truth—through the application
of pure reason. But now, in our greater knowledge and sophisticated
wisdom, we have come to doubt not only the adequacy of reason to
understand everything, but its potential grasp of anything; indeed,
we now realize that the very desire to comprehend truth was misguided and
perhaps even the source of evil. And since there may well be no solid
truth, since the universe (or universes—there could be a vast number of
them) may in fact be so amorphous or polymorphous that nearly any view of
"reality" (the word must now be placed in quotation marks) is
equally sustainable, we are well quit of the entire enterprise of
philosophy construed as truth-seeking. Instead, we are free to engage
open-endedly in intellectual or, better, aesthetic play, never expecting
any actual outcome, enjoying the process for its own quirky sake. Such,
for example, is the "liberal irony" of Richard Rorty.
It is as though Thomas Love Peacock’s "Mr.
Flosky" had transported himself from Nightmare Abbey,
multiplied by thousands, and reincarnated as countless college professors,
"deconstructionist" literary critics, and intellectuals in
general in our own time:
The enthusiasm for abstract truth is an exceedingly
fine thing, so long as the truth, which is the object of the enthusiasm,
is so completely abstract as to be altogether out of the reach of human
faculties; and in that sense, I have myself an enthusiasm for truth, but
in no other, for the pleasure of metaphysical investigation lies in the
means, not in the end; and if the end could be found, the pleasure of
the means would cease. 2
But Mr. Flosky was invented by Peacock in 1818, a fact
which alone should caution us as to the validity of periodization in the
reductionist intellectual historiography of the self-anointed
"postmodernists". If all the "modernists" of the day
were diligently attempting to apply universal reason to every aspect of
life, where did the anti-rationalist Mr. Flosky come from? Not from
Peacock’s pure imagination: it is well known that he is modeled on
Coleridge, and the ultimate source of his thought is revealed when Flosky
proudly proclaims that he has "christened my eldest son Emanuel Kant
Flosky".
The fact of the matter is that
"postmodernism" is a misnomer, a chimera of no substance. Those
features which it is alleged to possess have all along been part and
parcel of the modern era, the era in which we are still living, however
one may date its point of origin, and however much our jaded
intelligentsia may yearn for radical change.
The true nature of modernity has been discerned by no
one with greater depth and clarity than G.K. Chesterton. When Chesterton’s
priest-detective, Father Brown, learns that a witness in a murder case
thinks that a dog has preternaturally identified the killer, he tells him,
because he couldn’t talk, you made up his story for
him, and made him talk with the tongues of men and angels. It’s part
of something I’ve noticed more and more in the modern world, appearing
in all sorts of newspaper rumours and conversational catchwords; a
something that’s arbitrary without being authoritative. People readily
swallow the untested claims of this, that or the other. It’s drowning
all your old rationalism and scepticism, it’s coming in like a sea;
and the name of it is superstition. 3
Similarly, in "The Miracle of Moon Crescent",
Father Brown gently castigates a group of modern "materialists"
who were all too ready to accept a supernatural explanation for a certain
all too natural event:
You swore you were hard-shelled materialists, and as
a matter of fact you were all balanced on the very edge of belief—of
belief in almost anything. There are thousands balanced on it today; but
it's a sharp, uncomfortable edge to sit on. You won’t rest till you
believe something; that’s why Mr. Vandam went through new religions
with a tooth-comb... 4
"Today" was sometime during the years
1923-1926, when Chesterton was working on The Incredulity of Father
Brown (1926), the collection which includes both of the stories cited
here. Do these sound like the words of a man surrounded by pure
rationality? Chesterton even predicts what is indeed the likely next move
for our own "postmodernists": indiscriminate spirituality and
"religiosity".
True, the modern era has represented itself in
large measure as purely rational. But Richard Weaver, in Ideas Have
Consequences (1948), is able to speak of nothing less than a
"distrust of reason with which our age seems fatally
stricken", 5 and to state further that "our surrender to
irrationality has been in progress for a long time."6 He even goes so
far as to maintain that the "very notion of eternal verities is
repugnant to the modern temper",7 this because "the soul of
modern man craves orgiastic disorder."8 Thus the "philosophic
position of modernism" is in fact "the sheerest
relativism".9 Here is a perfect analysis of the mind of so-called postmodern
man, yet written in 1948 and revealingly using the only correct,
meaningful terms, "modern", "modernism".
But to reach the inevitable conclusion that the
"modernism" spoken of by the "postmodernists" is in
fact a straw man constructed by them for the mere polemical purpose of
later deconstructing (i.e., destroying) it, it is not necessary to
depend on the deep insights of men like Chesterton or Weaver who were
able, almost miraculously, to stand apart from their times and to see them
clearly. In 1924, as Chesterton was producing the stories that would be
published in The Incredulity of Father Brown, André Breton issued
his Manifesto of Surrealism calling for "pure psychic automism"
in writing (and even then, not with complete originality, if one recalls
Rimbaud’s dérangement des sens). 10 Here is an explicit call in the
realm of elite culture for the very "orgiastic disorder" which,
instead of Olympian rationality, actually lurks at the bottom of the
modern soul, as Weaver correctly noted, and which will, starting in the
1960’s, dramatically explode in the realm of popular culture as well.
"The term ‘post-modern’ is an empty
label," writes Thomas Molnar in 1994. 11 "It reassures those who
have come to dislike modernity for the right or wrong reason, and hope
they may go forward... to something better: modernity preserved, but
adding resacralization." But this is a most unlikely outcome,
because, as Molnar brilliantly observes, "All this is part of the
modernist scenario, the rebellion against being." And the denial of
being is a false path toward the sacred.
This rebellion, this rejection of ontology, naturally
shakes the foundations of epistemology, and renders it finally impossible.
This is the modernist crisis, and it cannot be confronted, let alone
resolved, on the basis of the self-flattering delusion that we have
entered a radically new age.
II. The Flight
It seems natural to deduce that modern intellectuals
actually desire to discover emptiness—the Void—underlying
everything. The really interesting question becomes: Why? Weaver is
characteristically cogent on this crucial point:
We must not overlook the fact that in the vocabulary
of modernism, "pious" is a term of reproach or ridicule… [M]odernism
encourages the exact opposite of this, which is rebellious-ness; and
rebellion, as the legend of the Fall tells us, comes from pride. Pride
and impatience, these are the ingredients of that contumely which denies
substance because substance stands in the way. 12
In the way of what? Presumably in the way of achieving
total freedom from restraint of any sort, the freedom which is the goal of
Nietzsche’s philosophy, the freedom which is already the motivating
force behind the suicide of Kirilov in Dostoyevsky’s The Possessed (1871,
before Nietzsche's major works had been published). This is precisely the
"rebellion against being" of which Molnar speaks, equivalent in
turn to Max Picard’s "flight from God".
In fact, even earlier, in the 18th century, Dr. Johnson
had identified the sin of pride (or vanity) as the motive behind
scepticism. In 1763, he was recorded by Boswell as holding forth in these
terms:
Hume, and other sceptical innovators, are vain men,
and will gratify themselves at any expense. Truth will not afford
sufficient food to their vanity; so they have betaken themselves to
errour. Truth, Sir, is a cow which will yield such people no more milk,
and so they are gone to milk the bull. If I could have allowed myself to
gratify my vanity at the expense of truth, what fame might I have
acquired. Every thing which Hume has advanced against Christianity had
passed through my mind long before he wrote. 13
Dostoyevsky and Johnson may be exposing the pride or
vanity which underpins and drives what might be called the Faustian urge,
issuing in turn in the gnosticism which Voegelin has so insightfully
identified as the core of much modern thought: a desire to repudiate common
knowledge, and to assert a hidden, secret knowledge accessible only to
cognoscenti. That common knowledge may actually be true is irrelevant.
Intellectual pride trumps the disinterested search for truth; what is
actually being sought now is the Philosopher’s Stone.
But if intellectual pride be the underlying motive, the
actual process of moving towards ontological nihilism has manifested
itself in a most obscure, labyrinthine fashion. On the surface, it has
appeared that the Enlightenment represented an opening to being, a
careful study of the world, unimpeded by "superstition". But as
Stanley Jaki has pointed out,
Locke... declared the mind a tabula rasa and
postulated the radical priority of sensations. Anyone aware of the
difference between sensations felt by the subject and things, or
objects, that give rise to sensations, will easily realize that Locke’s
starting point was merely a dialectical rewording of the Cartesian
stance. The reasoning of Locke could provide no more assurance about the
existence of things supposedly activating the senses acting on the mind
than could the system of Descartes make appear plausible the mind’s
grasp of sensations, let alone of things. 14
Here we discern an anticipation of Kant’s crucial
distinction between noumenon and phenomenon. As Jaki puts it, by
"phenomena" Kant "meant sensory impressions. The absolute
priority of mind over things, this starting point of Descartes, received
thereby its most radical form, but no less complete was now the
impossibility of knowing things or noumena."
Arguing more elaborately, but reaching a parallel
conclusion, Emmet Kennedy, at a recent symposium on "The
Enlightenment and Postmodernism" held at the University of Göteborg,
Sweden, noted that "the Scientific Revolution focussed more and more
on properties, operations and relations [rather] than essences. Thus Locke
writes in Bk. III: ‘Our faculties carry us no further toward the
knowledge and distinction of substances, than a collection of those
sensible ideas which we observe in them….’ This is not to say that
Locke dissolves substances into properties. He believes in substances, but
does not believe we can know them in themselves. All we know of them is
how they affect us." 15
As Kennedy goes on to show, "the common opinion of
[British] Empiricism" is wrong in failing to discern that, like
Cartesian dualism or Kantian Idealism, epistemologically it too represents
a move within, to the perceiving subject. All three major
philosophical streams, therefore, are flowing towards ultimate
subjectivism in epistemology and radical uncertainty as to the reality of
the external world, and this explains the extremely bizarre development
explored by Jaki—that starting with Niels Bohr (1885-1962), many of our
leading scientists, although brilliant at physics, have become
quite incompetent at metaphysics (or have failed to see the point
of demarcation between the two):
The dominating trend of the philosophical
interpretation of modern science was set by Bohr.… The hallmark of
[his] pragmatism was the resolute avoidance of any question about
reality as such. That in atomic physics the wave and particle aspects
were equally useful... was certainly true. But was this a justification
for Bohr’s warnings against questions concerning reality and what is
always implied by it, causality? 16
Similarly, Jaki analyzes a crucial epistemological
error in the interpretation of Heisenberg’s "Uncertainty
Principle":
it was true, as first recognized by Heisenberg, that
the combination of quanta and wave functions make impossible in
principle the simultaneous measurement with perfect accuracy of pairs of
canonical conjugates [such as] momentum and position, energy and time. But
was it philosophical to argue that what could not be measured exactly
could not exist and take place exactly? [emphasis added]
In other words, measurement—an aspect of
epistemology--has been confused with being, or ontology.
The upshot of this move for modern man has been a
radical distrust, not merely of God’s existence—long since rejected by
bien pensant intellectuals—but of the physical world’s
existence! In the absence of any Aristotelian conception of formal or
final cause, the discovery that the physical world appears to be
constituted of infinitesimal particles or even "waves" of
energy, combined with the growing subjectivism of mainstream philosophy
since the 17th century, puts modern man in the position of a visitor to an
art gallery who approaches a painting from afar. At first, he sees only a
distant blur. Drawing closer and reaching middle distance, he sees what
the artist intended him to see: a landscape, perhaps, with an old woman
walking along a canal lined with autumnal trees, beneath a sky of
cloud-fragments hovering in pale blue air. But then our gallery visitor
becomes curious; he draws still closer to the painting, even pressing his
nose against its very surface. Now all he sees are splotches of color,
daubs of brush-stroked paint. Still not satisfied, however, that he has
gotten to the "real" painting, he removes it from the wall and
places it on the floor, and begins to inspect it through a portable
electron microscope he has brought along for this purpose. Ah, at last!
Here is the real painting! Nothing but particles and energy waves,
in fact, nothing at all, the Void. The Buddhist claim that all phenomena
are empty must be true.
But actually the conclusion reached by the viewer of
the painting is wrong. He saw the true painting when he was standing at
middle distance. His problem is an epistemological one: he lacks any
significant conception of form or cause. Aristotle might have reminded him
that
one thing cannot be made out of something else ad
infinitum; as, for example, flesh out of earth, earth out of air,
air out of fire, and so on without ever stopping.… Nor... can there be
an infinite process downward from a start in something higher; as if,
for instance, water were made from fire, earth from water and so forever
something new being produced…. [T]he final cause is an end and the
sort of end that exists not for the sake of something else but all other
things exist for it. So, if there is a final cause of this kind, the
process of change and becoming will not be infinite. 17
Thus the particles and "quanta" are not
the essence of the painting. It does not exist for the sake of them;
they exist for the sake of it. This is why antiquity could
contemplate with serenity the idea that everything is made up of
particles, already articulated by Democritus before Aristotle, and later
poetically formulated by Lucretius. Aristotle himself here is not denying
that things may be constituted of basic elements, merely that there cannot
be an infinite regression, as well, of course, as maintaining that the
constituent elements do not constitute the essence of the substance. He
holds, as is well known, that a full account of a thing requires attention
to four causes of the thing—the material, formal, efficient, and
final; and to the four aspects of its substance, the essence, the
universal, the genus, and the substratum.
At what point, then, were these aspects rejected,
leaving us unprepared to account fully for being? This is a question which
can be, and has been, argued endlessly. Aristotle himself calls attention
to "those who insist on the infinite series [of elements constituting
matter, who] do not realize that they are destroying the nature of the
good. No man would start to do anything, if he did not expect to reach
some end. Nor would there be any intelligence in the universe…." 18
Would these have been the Sophists, ancient forerunners of Johnson’s
vain men, or Richard Weaver’s modern cravers of "orgiastic
disorder"? Could it be that the unmistakable modern fascination with
the Neo-Heraclitan view that "all is change" is a recurrence of
this ancient, perennial willfulness, based on the false premise that if
nothing is fixed, we are limitlessly free? Is "destroying the nature
of the good" precisely the point?
Many would prefer to see the watershed as being the
Enlightenment, as implied by Kennedy and Jaki. Or should we be schooled by
Weaver’s famous argument that it was the triumph of Nominalism over
Realism in the 14th century? The key figure here was, of course, William
of Ockham (before 1300-c.1349-50), who maintained (in the paraphrase of
Gilson), that "the Ideas are ideas of individuals, not of species,
because only singulars are producible outside of the mind…. [T]here are
no Ideas of genera, differences nor of any other universals. Manifestly,
since an infinity of things are producible by God, he has an infinity of
Ideas of this infinity of singulars." 19
Now Ockham, of course, fully believed in the reality
both of God and of the world. But, as far as the world is concerned, his
philosophical move effectively leaves us with only the
"singulars", or individual entities. From this point on,
categories of any sort will inevitably appear to be arbitrary constructs,
rather than innate properties of being, and it may well be that the
doubting even of the individual entities, as in Bishop Berkeley, will flow
naturally from this shift. Thus with Nominalism one is well on the way
toward onto-logical—and therefore epistemological—diminution.
3. The Stone
If one concludes that Nominalism in all its guises and
aspects has generally supported a tendency toward relativism and nihilism,
unfolding in the course of centuries and becoming, certainly after the
Enlightenment, the mainstream of modern philosophy, the question arises:
might it be that the opponent of Nominalism—Realism—would in fact have
been a wiser option? No one states this case more lucidly than Étienne
Gilson (1884-1978), writing in 1937:
The most tempting of all the false first principles
is: that thought, not being, is involved in all my
representations. Here lies the initial option between idealism and
realism, which will settle once and for all the future course of our
philosophy, and make it a failure or a success.… Man is not a mind
that thinks, but a being who knows other beings as true, who loves them
as good, and who enjoys them as beautiful.… [S]ince being is the
first principle of all human knowledge, it is a fortiori the first
principle of all metaphysics. [Gilson’s emphasis] 20
Gilson speaks here as himself a leading modern advocate
of Realist metaphysics; Jacques Maritain (1882-1973), in his book on
Aquinas, goes even further and claims that we are compelled "in the
last analysis to choose between the two terms of this alternative:
integral realism in the sense of Saint Thomas [Aquinas], or pure
irrationality." 21
Those of us who agree that Gilson and Maritain are
correct, and that we require nothing less than a full-scale rehabilitation
of Realist metaphysics in our time, will want to reexamine the whole
history of modern philosophy for intellectual and literary ancestors. Dr.
Johnson, for example, keeps Realism alive in the 18th century, and
demonstrates to all of us the true starting point of good metaphysics in
one of the most famous episodes recorded in Boswell's Life, an
event dating from 1763:
After we came out of the church, we stood talking for
some time together of Bishop Berkeley's ingenious sophistry to prove the
non-existence of matter, and that every thing in the universe is merely
ideal. I observed, that though we are satisfied his doctrine is not
true, it is impossible to refute it. I never shall forget the alacrity
with which Johnson answered, striking his foot with mighty force against
a large stone, till he rebounded from it,--"I refute it thus."
This was a stout exemplification of the first truths... without
admitting which, we can no more argue in metaphysics than we can argue
in mathematicks without axioms. 22
When Spinoza said, "The Scholastics start from
things, Descartes from thought," 23 he was correctly identifying with
his words the same starting point for Realist metaphysics that Johnson
identifies with his foot: the real objects of the physical world. Boswell
himself too deserves credit for noting, possibly for the first time in
history, the extraordinary dilemma of nearly all modern intellectuals who
in fact act as if they were Realists—and perhaps actually are
Realists by intuition—but feel disarmed from any advocacy for Realism by
the apparent impossibility of refuting Nominalist-Idealist arguments.
(Beneath even this, of course, may further lie an actual craving for the
Void, an aspect that will become more apparent in the course of later
centuries.)
Thomas Love Peacock, as we have seen, at least attempts
to use the weapons, if not of actual metaphysical argumentation, then at
least of satiric humor, to parody views which, like Johnson, he finds
absurd. Johnson himself had already applied humor to the case when, in
1780, "being in company with a gentleman who thought fit to maintain
Dr. Berkeley’s ingenious philosophy, that nothing exists but as
perceived by some mind; when the gentleman was going away, Johnson said to
him, ‘Pray, Sir, don’t leave us; for we may perhaps forget to think of
you, and then you will cease to exist.’" 24 Peacock’s Mr. Flosky,
whom we have already met and seen to be based on Coleridge conflated with
Kant, maintains that
There is a secret in all this, which I will elucidate
with a dusky remark. According to Berkeley, the esse of things is
percipi. They exist as they are perceived. But, leaving for the
present, as far as relates to the material world, the materialists,
hyloists [who believe matter to be God], and antihyloists, to settle
this point among them, which is indeed a subtle question, raised among
those out o’ their wits, and those i’ the wrong: for only we
transcendentalists are in the right: we may very safely assert that the esse
of happiness is percipi. It exists as it is perceived...
But after continuing in the same vein for a while
longer, "Mr. Flosky suddenly stopped: he found himself
unintentionally trespassing within the limits of common sense." 25
Thus, going further than Boswell, Peacock recognizes
that even the actual thinkers who maintain epistemological pessimism as
regards "the material world" cannot help but betray their own
professed philosophy at times, even in the process of argumentation. It
may well be "common sense" that the mind can create its
own happiness or unhappiness, which are indeed at least in part states of
mind; but the leap to asserting the irreality of the physical world is a
false one. Flosky, good modern philosopher that he is, would not be caught
dead articulating mere "common sense"; like the true Gnostic, he
will only uphold doctrines whose arcane truth is inaccessible to the
"common" folk. His counterpart, Mr. Skionar, also a parody of
Coleridge/Kant, in Peacock’s later Crotchet Castle (1831),
defines "transcendentalism" as "The philosophy of
intuition, the development of universal conviction; truths which are
inherent in the organization of the mind, which cannot be obliterated,
though they may be obscured, by superstitious prejudice on the one hand,
and by the Aristotelian logic on the other." 26 Peacock, evidently an
adherent of the "common sense" which, as Maritain argues, is
entirely consistent with Thomist metaphysics ("The fundamental
rectitude of common sense... is wounded by these errors [of agnosticism,
naturalism, and ‘angelism’]")27—although Peacock himself may not
have realized this—sees the Transcendentalist-Idealists, inheritors of
the Nominalist fallacy, as laying claim to some mysterious higher truth
which stands at odds with "superstition" (i.e., undoubtedly the
dogma of the Church) on the one hand, and "Aristotelian logic"
on the other; they apparently yearn for some sort of non-dogmatic
spirituality bearing no discernable relationship to the world around us
but rather grounded in the mind. Peacock has, in fact, intuited avant
la lettre the answer to the remarkable paradox of the co-existence in
modern thought of radical subjectivism and a monistic yearning for
undifferentiated wholeness.
It is only later in the 19th century, however, that we
witness the first heroic attempt to define an optimistic, Realist
epistemology for the modern age in the form of what might be described as
an epistemological or, better, metaphysical apologia, John Henry
Newman’s An Essay in Aid of A Grammar of Assent, published in
1870. 28
Newman starts from the point already expressed in the
negative by Boswell: "[W]e are satisfied [Berkeley’s] doctrine is
not true," even though we can find no way to refute it logically.
Newman puts the case in the positive sense when he writes, "Assent on
reasonings not demonstrative is too widely recognized an act to be
irrational, unless man's nature is irrational… nor has any philosophical
theory the power to force on us a rule which will not work for a
day." 29 He notes that even Locke, one of the architects of
Enlightenment thought, acknowledged that "most of the propositions we
think, reason, discourse, nay, act upon, are such as we cannot have
undoubted knowledge of their truth; yet some of them border so near upon
certainty, that we make no doubt at all about them, but assent
to them as firmly, and act according to that assent as
resolutely as if they were infallibly demonstrated." Thus,
Newman states, Locke "affirms and sanctions the very paradox to which
I am committed myself."30 He explicitly suggests that even contemporary
Nominalist philosophers "have themselves as little misgiving about
the truths which they pretend to weigh out and measure, as their
unsophisticated neighbors; but they think it a duty to remind us, that
since the full etiquette of logical requirements has not been satisfied,
we must believe those truths at our peril."31
Here, then, is a full description of one of the key
causes of the modern triumph of Nominalism: it is not that our
philosophers actually doubt the reality of the world, but rather that they
feel duty-bound as sophisticated thinkers to withhold assertion of any
truth that cannot be absolutely proved, an attitude inherited apparently
from Kant, Descartes, and ultimately the ancient Sophists. It is this that
prevents our philosophers from formally asserting as epistemological
axioms what they and we are in fact certain to be the case: to use
just a few of Newman’s excellent examples, "that there are really
existing cities on definite sites, which go by the names of London, Paris,
Florence and Madrid," "that Great Britain is an island,"
which we are certain of even though we personally have never seen it as a
whole (one might update this example by citing a contemporary one—that
men have landed on the moon, which we accept absolutely even though we
were not personal eye witnesses to the event); and that certain
propositions are equally false, as "that we had no parents,"
something we reject out of hand "though we have no memory of our
birth; that we shall never depart this life," which we equally deny
"though we can have no experience of the future." 32 In the case of
a full-blown Nominalist such as Bishop Berkeley, of course, universal
scepticism, contradicting our actual deep certainty, moves beyond Ockham
and extends to the point of doubting the reality of objects (Ockham’s
"singulars") that we do in fact directly sense.
And so emerges the single most weird and ironic aspect
of modern intellectual life: the things of which we are in fact most
certain cannot be posited as the starting points of our epistemology!
We are doomed by the prevailing Nominalist orthodoxy to express doubt
about that which is in fact our most solid certainty!
Newman attempts to correct this fallacy by boldly
stating that "certitude is a natural and normal state of mind, and
not... one of its extravagances or infirmities." In attempting to
characterize what he calls "the principle of concrete reasoning"
which makes it possible for us to possess such certitude, he draws a
"parallel to the method of proof which is the foundation of modern
mathematical science":
We know that a regular polygon, inscribed in a
circle, its sides being continually diminished, tends to become that
circle, as its limit; but it vanishes before it has coincided with the
circle, so that its tendency to be the circle, though ever nearer
fulfillment, never in fact gets beyond a tendency. In like manner, the
conclusion in a real or concrete question is foreseen and predicted
rather than actually attained.
Newman summarizes or epitomizes the case in one of his
most memorable bons mots: "Proof is the limit of converging
possibilities." 33
Newman posits, as the faculty in the human mind which
renders possible this kind of reasoning, the "Illiative Sense, or
right judgment in ratiocination," a "faculty [which sometimes]
is nothing short of genius. Such seems to have been Newton’s perception
of truths mathematical and physical, though proof was absent." 34 (Note,
by the way, how Newman correctly uses the noun "perception" here
to mean the act of becoming aware of something which is in fact
objectively real, as opposed to the increasingly common subjectivist use
of the word today, under the influence of Nominalist/ Idealist relativism,
to mean little more than "opinion" or "view of".)
In speaking of an "Illiative Sense", Newman
would seem to be rehabilitating the ancient concept of a "higher
reason", a faculty which renders man capable of the direct, true
perception of things. Now, in answer to the question, "Whether the
Higher and Lower Reason are Distinct Powers?" Aquinas responds,
"Augustine says (De Trin. xii.4) that the higher and lower
reason are only distinct by their functions. Therefore they are not
two powers." 35 But even distinguishing by function significantly
expands the conception of human reason, derived from Aristotle, by
comparison with the Enlightenment conception that now prevails. By
"lower reason", Aquinas apparently means the ability to draw
logical conclusions from premises: "through one thing understood,
other things come to be understood, as from terms are made propositions,
and from first principles, conclusions…. [T]hus it [the human intellect]
necessarily compares one thing with another by composition and division;
and from one composition and division it proceeds to another, which is the
process of reasoning."36 This, of course, is the entirety of
what the faculty of reason is essentially understood to do in the
Enlightenment and after. But Aquinas recognizes a higher function in
reason, by which "the human soul knows all things in the eternal
types, since by participation of these types we know all things. For the
intellectual light itself which is in us is nothing else than a
participated likeness of the uncreated light, in which are contained the
eternal types... By the seal of the Divine light in us, all things are
made known to us."37
Without dividing human reason into discrete powers,
Aquinas ironically recognizes in it a range far greater than that defined
by the so-called "Age of Reason", a range that extends to the
height of actual "participation" in likeness to the mind of God,
the "uncreated light".
Aquinas’s most important statement on epistemology,
and therefore the essential foundation for any restructuring of Realist
metaphysics as it pertains to our knowledge of this world, is contained in
Pt.1, Q.84 Art. 6, "Whether Intellectual Knowledge is Derived from
Sensible Things?" 38 The short answer is, "Yes," and Spinoza
was therefore absolutely correct in stating that "the Scholastics
start from things." In this brilliant and crucially important
Article, Aquinas recognizes what might be described as an epistemological
spectrum from pure materialism to pure idealism. At the materialist end
lies Democritus, who "held that knowledge is caused by a discharge
of images," according to Aristotle as quoted by Aquinas, who goes
on to specify that "Democritus maintained that every operation is by
way of a discharge of atoms." Here we have an epistemology with which
latter-day materialists—Hume, Marx, or even Bohr (if we add
"quanta" to the atoms of Democritus)—would be quite
comfortable. At the other end of the spectrum lies Plato, who "held
that intellectual knowledge is not brought about by sensible things
affecting the intellect, but by separate intelligible forms [i.e., the
Ideas] being participated by the intellect." Here is the seed of an
Idealist epistemology that might one day sprout into the philosophy of a
Descartes, a Kant, or a Croce.
But Aristotle, says Aquinas, "chose a middle
course". He agreed with Plato that intellect is immaterial, and must
be differentiated from "sense", "But he held that the sense
has not its proper operation without the co-operation of the body; so that
to feel is not an act of the soul alone, but of the composite [of
soul-and-body]." And so Aristotle agreed with Democritus that
"the operations of the sensitive part are caused by the impressions
of the sensible on the sense... by some kind of operation." This
leads in turn to the stage at which the "active intellect"
"causes the phantasms received from the senses to be actually
intelligible, by a process of abstraction." Thus "sensible
knowledge" is the "material cause" of intellectual
knowledge, but participation in the eternal types is necessary to abstract
from our knowledge of singulars. "Knowledge of the singular and
individual is prior, as regards us [i.e., our personal experience of the
world in space and time], to the knowledge of the universal; as sensible
knowledge is prior to intellectual knowledge. But in both sense and
intellect [i.e., as faculties or powers] the knowledge of the more common
precedes the knowledge of the less common." 39
This is the "moderate Realism" of Aquinas,
the keystone of the epistemological arch. It is the insight that inspired
G.K. Chesterton, in his wonderful book on Aquinas (1933), to capture
metaphorically Aquinas's entire anthropology:
for him [i.e., Aquinas] the point is always that Man
is not a balloon going up into the sky, nor a mole burrowing merely in
the earth; but rather a thing like a tree, whose roots are fed from the
earth, while its highest branches seem to rise almost to the stars. 40
4. "The Being"
The Realist metaphysician is thus able to assert the
reality of the world and the essential accuracy of our perception of it,
and therefore to uphold with confidence the use of our reason in worldly
matters. But the Realist does not limit reason to the world. He recognizes
as well "The use of it in Divine matters," the subtitle
of a poem called "Reason" by the "metaphysical" poet,
Abraham Cowley (1618-67; this use of the term "metaphysical" was
initiated by Dr. Johnson in his famous biography of Cowley). The final
stanza of this poem presents a view of reason entirely consistent with
that of Aquinas:
Though Reason cannot through Faiths
Myst’eries see,
It sees that There and such they be;
Leads to Heav’ens Door, and there does
humbly keep,
And there through Chinks and Key-holes
peep.
Though it, like Moses, by a sad command
Must not come in to th’ Holy Land,
Yet thither it infallibly does Guid,
And from afar ‘tis all Descry’d. 41
Cowley’s statement that Reason "leads to Heav’ens
Door" neatly captures what for centuries was the mainstream view
of the epistemological sequence leading from Creation to Creator, which
would eventually come to be developed into the "argument from
design." The articulation of this concept may be traced back to the
thirteenth chapter of Wisdom, 42 one of the "apocrypha"
written, according to Robert H. Pfeiffer, "during the last two
centuries before the Christian era,"43 and accepted as canonical by
both the Orthodox Church and the Catholic Church (formalized at the
Council of Trent). The primary purpose of Ch. XIII is to argue the
foolishness of idolaters, those who, as St. Paul will put it,
"worship and serve the creature more than the Creator" (Rom.
1.25), or, even worse, worship dead images of wood or stone:
1. Surely vain are all men by nature, who are
ignorant of God, and could not out of the good things that are seen know
him that is: neither by considering the works did they acknowledge the
workmaster;
2. But deemed either fire, or wind, or the swift air,
or the circle of the stars, or the violent water, or the lights of
heaven, to be the gods which govern the world...
4. But if they were astonished at their power and
virtue, let them understand by them how much mightier he is that made
them.
5. For by the greatness and beauty of the creatures
proportionally the maker of them is seen.
Here is the "argument from design" in
embryonic form (and if for "fire" or "wind" one were
to substitute "quarks" and "quanta", one might even
see in the idolators the forerunners of certain modern physicists, at
least when they infringe upon properly metaphysical territory). The
Christian scriptural reformulation of this Jewish idea is found in Romans,
1.20: "For the invisible things of him from the creation of the world
are clearly seen, being understood by the things that are made, even
his eternal power and Godhead."
The Church Fathers, taking their cue from such
passages, developed this epistemological stance to a point little short of
its full articulation in Aquinas. To take only one example, St. Gregory of
Nazianzus (329-89) anticipates Aquinas’s view of human reason as a
"likeness" or "image" (he actually uses the word
"icon") of the divine mind, and thus capable of directly
perceiving truth. In one of his superb theological poems, "An Evening
Prayer", he writes (in the translation of John McGuckin),
You enlightened the mind of man
with reason and with wisdom
and so placed an ikon here below
of the brightness that is above. . . 44
It is man’s "rational nature" that
"shall sing out/that he [God] is the great king, the good
father," according to Gregory’s first "Hymn". 45
At the same time, like Aquinas, Gregory fully
recognizes the limits of reason; as Cowley will put it, "by a sad
command" reason must "humbly keep" at heaven’s door, it
"must not come in to th’ Holy Land." It is only in the
world to come that the "sad command" will be rescinded, and the
blessed will be able to see the full truth with perfect clarity for the
first time. Thus Gregory prays, in his great autobiographical poem,
"Concerning His Own Affairs" (in the prose translation of Denis
Molaise Meehan),
When released from this life and this impeded vision…
I greatly long to have a purer vision of the stable things. Then, not as
formerly, they will be unadulterated by association with obscure images
which can set the vision of the keenest mind astray. With the eye of a
mind made pure I shall gaze upon truth itself. But all that is still to
be.… 46
Gregory’s most extensive presentation of what might
be termed his epistemological standpoint is in his important "Second
Theological Oration". 47 Arthur James Mason summarizes the argument of
this work as follows:
the nature of God is beyond the power of man to
understand. We may assuredly know by the study of the world around us
that God is, but we cannot find out what He is. We can arrive at
negative truths concerning Him, that He is incorporeal and the like, but
not at any adequate positive conception.… 48
In his running paraphrase of the Greek text, Mason
epitomizes the full elaboration of Gregory’s argument:
The works of God are beyond our present
comprehension, much more Himself; we can only affirm for certain that He
exists…. Of His existence the order of nature assures us. We are
forced to think of a Creator when we look upon Creation, as the sight of
a lyre makes us think of the lyre-maker…. It is... very
unreasonable not to accept the natural proofs of God’s existence, and
in following them we are compelled to form certain great outlines of a
conception of God (e.g., creative power, rational method, etc.), which
we cannot doubt to be correct…. To begin with, God cannot be
corporeal: which would involve being dissoluble.… We thus reach a
negative truth about God... Intelligence "enters in with the
things" [ μετά
τών
πραγμάτων
είσέρχεται]
around us, because we learn by them…. [I]t [intelligence] is "in
partnership with sense," though capable of withdrawing itself from
the senses.49
It should be apparent from all this how close Gregory
already is to the position of Aquinas. Particularly intriguing, in the
writings of this theologian, is the idea that our intelligence (or reason)
actually "enters in with the things" of the world, as clear a
demonstration as one could wish of the intimate connection in Realist
metaphysics between the assertion of access to knowledge of the objective world—hence
the possibility of science—and access— limited for now, to be vastly
expanded after the eschaton—to knowledge of God.
When Aquinas answers "yes" to the question,
"Whether It Can Be Demonstrated that God Exists?" he grounds
himself at the outset in scripture:
The Apostle says: The invisible things of Him are
clearly seen, being understood by the things that are made (Rom.
i.20). But this would not be unless the existence of God could be
demonstrated through the things that are made; for the first thing we
must know of anything is, whether it exists. 50
The argument from design is formally presented by
Aquinas as the last of the five ways in which "the existence of God
can be proved":
We see that things which lack intelligence, such as
natural bodies, act for an end, and this is evident from their acting
always, or nearly always, in the same way, so as to obtain the best
results. Hence it is plain that not fortuitously, but designedly, do
they achieve their end. Now whatever lacks intelligence cannot move
towards an end, unless it be directed by some being endowed with
knowledge and intelligence; as the arrow is shot to its mark by the
archer. Therefore some intelligent being exists by whom all natural
things are directed to their end; and this being we call God. 51
Epistemologically, then, "by way of discovery, we
come through knowledge of temporal things to that of things eternal." 52
But this knowledge—and here Aquinas is again consistent with Gregory—must
remain imperfect in this world. In tackling directly the question,
"Whether Our Intellect Can Understand Immaterial Substances through
Its Knowledge of Material Things?" Aquinas responds,
From material things we can rise to some kind of
knowledge of immaterial things, but not to the perfect knowledge thereof….
Science treats of higher things principally by way of negation…. [I]mmaterial
substances [cannot be] known by us in such a way as to make us know
their quiddity; but we may have a scientific knowledge of them by way of
negation and by their relation to material things…. Hence through the
likeness derived from material things we can know something positive
concerning the angels, according to some common notion, though not
according to the specific nature. . . 53
In the case of God Himself, however, rational nature
alone can reach only negative knowledge by "remotion" (or
apophatic theology 54); "To see the essence of God is possible to the
created intellect by grace, and not by nature," and this only after
having become "separated from this mortal life."55
To encounter a second and opposite mode of
epistemological access to knowledge of God, it is necessary to make the
leap from the realm of philosophical metaphysics to that of pure theology.
This, of course, is God’s revelation of Himself to man. A key passage,
one which, as Gilson puts it, "runs through the whole history of
Christian thought," 56 is Exodus 3.14, in which God, in response to
Moses’s question as to the name of the one who is sending him to the
children of Israel in Egypt, reveals His name to Moses: "And God said
unto Moses, I AM THAT I AM: and he said, Thus shalt thou say unto the
children of Israel, I AM hath sent me unto you." The Greek of the
Septuagint version, as translated by Sir Lancelot Charles Brenton, reads,
And God spoke to Moses saying, I am THE BEING
[ό ΄Ών]; and he said, Thus
shall ye say to the children of Israel, THE BEING has sent me to you.57
When Pseudo-Dionysius, writing in the 5th or 6th
century, explicates "The Divine Names" of God, in contemplating
this name, he writes,
The God who "is" [Ex. 3.14] transcends
everything by virtue of his power. He is the substantive Cause and maker
of being, subsistence, of existence, of substance, and of nature. He is
the Source and the measure of the ages. He is the reality beneath time
and the eternity behind being…. 58
In some of his phrasing, Pseudo-Dionysius comes very
close indeed to sounding more Neo-Platonic, in the mode of Plotinus
(205-70), than Christian, a fact which has led to elaborate discussions of
his orthodoxy. Gilson brilliantly distinguishes the identification
of the One (i.e., God) with Being in Augustine—and Christian thought in
general—from the subordination of being to an abstract One, as in
Plotinus, 59 and Pseudo-Dionysius in this passage certainly seems to imply
that God transcends being itself. But this is probably best interpreted as
the enthusiasm of the mystic, rather than a calculated position taken by a
systematic theologian; generally speaking, Pseudo-Dionysius succeeds in
establishing on the basis of Ex. 3.14 that God is the ground of being or
rather Being itself.
Aquinas, more theologically sound, considers "HE
WHO IS" to be "the most proper name of God",
For it [this name] does not signify form, but simply
existence itself. Hence since the existence of God is His essence
itself, which can be said of no other, it is clear that among other
names this one specially denominates God, for everything is denominated
by its form,
and also because,
it signifies present [as opposed to past or future]
existence; and this above all properly applies to God, whose existence
knows not past or future, as Augustine says (De Trin. v). 60
Thus in Christianity, as in Judaism, the ultimate
ground of being turns out to be, not a philosopher’s abstraction, no
matter how exquisitely refined or exalted, but a supreme Person, HE WHO
IS, and through whom all things have their contingent being. Here, then,
is the true ontological ground of Realist metaphysics: God Himself.
5. The Icon
When the risen Christ appeared before the sceptic
Thomas—a "postmodernist", perhaps, in "premodernist"
times—and allowed the doubter to place his fingers in His wound, upon
Thomas’s finally exclaiming, "My Lord and my God," "Jesus
saith unto him, Thomas, because thou hast seen me, thou hast believed;
blessed are they that have not seen, and yet have believed" (John
20.27-29). Raising the question of the relationship between sight (direct
sense perception) and belief for modern man, Newman writes, "Can I
believe as if I saw? Since such a high assent requires a present
experience or memory of the fact, at first sight it would seem as if the
answer must be in the negative; for... no one in this life can see
God" (John 1.18). 61
Here we approach a question which lies beyond the scope
of this article, namely the relationship between reason, grounded in
direct perception of reality in Realist metaphysics, as we have seen, and
faith. The general tendency in our time, certainly among the public at
large, is to assume a radical gulf separating the two, and to conclude
that all matters pertaining to God rest on pure faith. But if our subject
is epistemology—i.e., our means of knowing what we know, not only about
the physical world, but about anything—it behooves us to call
attention to the fact that in the history of Christian thought there have
been and there still are those who claim that we can at least see an image
(Greek eikôn, or "icon") representing God as he appeared
on earth in the person of Jesus Christ, and those who have gone further to
claim that some are able to see with transmuted sight God's uncreated
divine light, as He displayed it on the occasion of the Transfiguration.
These are precisely epistemological claims in the broad sense that we are
using that term here, because they are claims of access through the senses
to partial knowledge of God.
Historically, an enormous controversy about this matter
erupted in Byzantium between the so-called Iconoclasts—who opposed icons
and had them removed from the churches—and Iconodules, whose arguments
in favor of icons eventually prevailed, being declared orthodox at the
seventh Ecumenical Council at Nicaea in 787. The Council was deeply
influenced by the brilliant arguments in favor of icons developed by the
great St. John of Damascus (?675-749), ideas which were later further
elaborated by St. Theodore the Studite (759-826). Together, these men
wrote a crucially important chapter in the history of Realist
epistemology, by refining the description of how we can perceive the
intersection or interpenetration of the immaterial and material.
St. John of Damascus, later to become one of Aquinas’s
favorite theologians, eloquently pleads for the return of the icons to the
churches:
If you say that only intellectual worship is worthy
of God, then take away all corporeal things: lights, the fragrance of
incense, prayer made with the voice. Do away with the divine mysteries
which are fulfilled through matter: bread, wine, the oil of chrism, the
sign of the cross. All these things are matter…. Matter is filled with
divine grace through prayer addressed to those portrayed in images….
The apostles saw the Lord with bodily eyes; others saw the apostles, and
others the martyrs. I too desire to see them both spiritually and
physically and receive the remedy by which the ills of both soul and
body (for I am composed of both) may be healed. 62
St. John, specifically citing two texts already
examined here—Gregory’s "Second Theological Oration" and
Rom. 1.20—argues how it is possible to "see... both spiritually and
physically":
[V]isible things are corporeal models which provide a
vague understanding of intangible things…. Anyone would say that our
inability immediately to direct our thoughts to contemplation of higher
things makes it necessary that familiar everyday media be utilized to
give suitable form to what is formless, and make visible what cannot be
depicted, so that we are able to construct understandable analogies. If,
therefore, the Word of God, in providing for our every need, always
presents to us what is intangible by clothing it with form, does it not
accomplish this by making an image using what is common to nature and so
brings within our reach that for which we long but are unable to see? A
certain perception takes place in the brain, prompted by the bodily
senses, which is then transmitted to the faculties of discernment, and
adds to the treasury of knowledge something that was not there before.
The eloquent Gregory says that the mind which is determined to ignore
corporeal things will find itself weakened and frustrated [a reference
to Th. Or. 2]. Since the creation of the world the invisible
things of God are clearly seen [Rom. 1.20] by means of images. We see
images in the creation which, although they are only dim lights, still
remind us of God. For instance, when we speak of the holy and eternal
Trinity, we use the images of the sun, light, and burning rays…. 63
Similarly,
[W]e make images of every form we see, and our
apprehension of these forms is a kind of sight. If we sometimes
understand forms by using our minds, but other times from what we see,
then it is through these two ways that we are brought to understanding.
It is the same with the other senses: after we have smelled or tasted,
or touched, we combine our experience with reason, and thus come to
knowledge. 64
St. John identifies and analyzes no less than six types
of images, of which the first is the "natural image", and states
that "the Son of the Father is the first natural and precisely
similar image of the invisible God, for He reveals the Father in His own
person…. He is the image of the invisible God [Col. 1.15]…." 65
The commandment, "Thou shalt not make thee any
graven image" (Deut. 5.8), John plausibly takes as a prohibition
against making images of false gods or natural bodies such as the sun for
the purpose of idolatrous worship (already the concern, as we have seen,
of Wisdom 13). He points out that God Himself commands that the
tabernacle be made with "two cherubim of gold" which "shall
stretch forth their wings on high... and their faces shall look one to
another... cherubim of cunning work" (Ex. 25.18, 20; 26.1). 66 These are
certainly not the words of a God utterly opposed to the making of
legitimate images of actual heavenly beings. St. John therefore concludes
that because in Christ God did assume flesh and become man, the act of
depicting Christ, at least—the Father remaining beyond the reach of such
depiction—in paint, gold-leaf and wood replicates the actual
Incarnation, the mysterious taking on of matter by spirit.67
To the later objection that the image "may not
have the same form as the prototype because of insufficient artistic skill
[i.e., an objection on the grounds of insufficient "realism" in
the conventional sense of the word]," St. Theodore the Studite will
respond that "veneration is given to the image not insofar as it
falls short of similarity, but insofar as it resembles its prototype. In
this degree the image has the same form as the prototype; and the objects
of veneration are not two, but one and the same, the prototype in the
image." 68 Here St. Theodore uses the term "form" in an
essentially Aristotelian manner, centuries before Aquinas. He displays the
characteristic epistemological optimism of the true metaphysical Realist
(the epistemological cup is half full, not half empty), and he extends
this insight by maintaining that "the same form is in all the
representations though they are made with different materials."69 That
form "in the image" is "Christ plainly visible as its
prototype."70 Hence the worshipper viewing the icon and praying as he
does so is in fact seeing and worshipping the very image of God, as
the apostles saw His image in the Person of the living God-man, Christ
[cf. John 14.8-9].
It is therefore entirely appropriate that,
circum-scribed by the halo of many Byzantine icons of Christ, either as
child or as man, is a cross inscribed with the very words of the name
revealed to Moses by the God of Abraham, Isaac and Jacob: ό
΄Ών , "The Being."
It is because Eastern Orthodox Christianity inherited
this theological tradition that icons become such important windows
affording through the medium of matter a glimpse of the immaterial world,
heavenly doors through which we are able not merely to "peep"
(as in Cowley’s poem) but to gaze upon the visage of the divine, as if
"endowed with life”.
This phrase (Greek 'έmyucoV, lit. "ensouled")
is in fact used by the 11th century Byzantine writer, Michael Psellos, in
his extraordinary ecphrastic homily on a pictorial representation of the
Crucifixion.71 Psellos knows that his auditors have not (in the translation
of Elizabeth A. Fisher) "altogether risen above the body, but you
long to gaze upon him [Christ] with your very eyes and to see, if
possible, Christ himself hanging naked upon the tree…." Psellos
promises to satisfy this yearning by showing his auditors the actual
scene, in the form of a painting. But the painting "seems to be the
product not of art but of nature," or rather of a collaboration
between the craftsman and God Himself:
God inspires with his grace not only creatures but
also images which lack life…. These likenesses seem to be the product
of the human hand, but God actually fashions them without our knowing
it... and presents them in visible form by using the hand of the
craftsman as his vehicle for the picture. 72
Thus, "The whole image seems to be endowed with
life…. [T]he dead body [of Christ] in the picture... will appear endowed
with life…. [L]ife exists in the image from two sources, both from
artistic skill, which has produced a perfect replica, and also from grace.…" 73
The icon thus becomes a means of nothing less than
Revelation, providing access to knowledge (and therefore an
epistemological mode) of the intersection of natural and supernatural life
in the Person of the incarnate Christ, and participation in the
"trampling down of death by death", as the crucified Christ
takes on new life in anticipation of the Resurrection.
Can the viewer of the icon "believe as if he
saw"? Michael Psellos answers, "Yes." And Leonid Ouspensky
echoes this affirmation for our own age:
For an Orthodox man of our times an icon, whether
ancient or modern, is not an object of aesthetic admiration or an object
of study; it is living, grace-inspired art which feeds him... for now,
as before, it corresponds to a definite concrete reality, a definite
living experience, which is at all times alive in the Church. 74
6. The Light
It is possible to step beyond even the claim that
through icons one can see at least an image of God to the even more
remarkable claim that one can actually see, in this life, God’s uncreated
divine light, if one’s senses are transmuted through the action of
the Holy Spirit. Visionary experience of God is described by various
mystics in Western Christianity. One thinks of such figures as St. Bernard
of Clairvaux (1090-1153) or Jakob Boehme (1575-1624). In the case of
Richard Rolle (c.1300-1349), senses other than that of sight are involved:
Rolle feels, hears and tastes divine calor, canor and dulcor
(heat, song, sweetness). 75
But for a fully developed theology of this
extraordinary claim, one must turn to Eastern Orthodox Christianity, and
particularly to the great St. Gregory Palamas (1296-1359). The Triads
of Palamas were composed to defend the claim of the hesychasts—hermit
monks of Mt. Athos—that through certain ascetic practices, including the
repetition of the "Jesus prayer" ("Lord Jesus Christ, Son
of God, have mercy on me, a sinner"), they were able to achieve sight
of God’s uncreated divine light, the same light He displayed to Peter,
James and John in the Transfiguration, traditionally considered to have
taken place on Mt. Tabor: "[He] was transfigured before them: and his
face did shine as the sun, and his raiment was white as the light"
(Mat. 17.2). "… [H]e was transfigured before them. And his raiment
became shining, exceeding white as snow; so as no fuller on earth can
white them" (Mark 9.2-3). "And as he prayed, the fashion of his
countenance was altered, and his raiment was white and glistering"
(Luke 9.29).
Against the charge of his polemical opponent, Barlaam
the Calabrian, that the hesychasts were deluded, Palamas argued that they
had indeed seen the divine light, grounding himself in two arguments: 1)
the Transfiguration itself provides precedent; 2) the divine light is one
of what Palamas terms the "energies" of God. This doctrine of
God"s energies is in fact Palamas’s most characteristic
contribution to theology. The relationship of the energies to the essence
of God is analogous to that of rays of sunlight to the sun itself:
functioning to project God’s action in the world. Palamas writes (in the
translation of Nicholas Gendle),
the chosen disciples saw the essential and divine
beauty of God on Thabor... not the glory of God which derives from
creatures, as you [Barlaam] think, but the superluminous splendour of
the beauty of the Archetype; the very formless form of the divine
loveliness, which deifies man and makes him worthy of personal converse
with God; the very kingdom of God, eternal and endless, the very light
beyond intellection and unapproachable, the heavenly and infinite light,
out of time and eternal…. They indeed saw the same grace of the Spirit
which would later dwell in them; for there is only one grace of the
Father, Son and Spirit, and they saw it with their corporeal eyes,
but with eyes that had been opened so that, instead of being blind,
they could see…. [T]hey contemplated that uncreated light which, even
in the age to come, will be ceaselessly visible only to the saints…. [T]hese
divine energies are in God and remain invisible to the created
faculties[.] Yet the saints see them, because they have transcended
themselves with the help of the Spirit. [long emphasis added] 76
Elsewhere, Palamas characterizes what might be
described as the heightened epistemological access which renders such
vision possible:
The light of the Transfiguration of the Lord has no
beginning and no end; it remained uncircumscribed (in time and space)
and imperceptible to the senses, although it was contemplated... but the
disciples of the Lord passed here [at Mt. Tabor] from the flesh into the
spirit by a transmutation of their senses…. For the body itself also
experiences divine things, when the passionate forces of the soul find
themselves not put to death but transformed and sanctified. 77
Upon reading such passages as these, even a believing
modern is likely to assume that this degree of afflatus may have been
appropriate or possible in an age of faith, but surely not in our own! And
yet it happens that the claims of the 14th century hesychasts and their
theologian, St. Gregory Palamas, are still being made today, by voices
hardly heard outside of relatively constricted circles. Our contemporary,
Archimandrite Hierotheos Vlachos, in his book, A Night in the Desert of
the Holy Mountain, describes an interview with a hermit currently
living on Mt. Athos. Vlachos directly asks the hermit, "Have you seen
the Light?" To which the hermit, after a period of silence,
responds,
Sometimes... because of their great purity and their
struggle, and even because of the special good-will of God, some people
become worthy of seeing the Light with their physical eyes—which have
been transformed by the divine grace—like the three disciples on Mount
Tabor…. We too, after the vision of the Light, feel exceedingly tired…. 78
Here then is a claim of access to transcendent
knowledge achievable in this world by human faculties in synergy with God’s
grace. It is the ultimate claim of Realist metaphysics, an option still
being exercised by living contemporaries of ours.
7. The Question: How Realist is Voegelin?
In 1953, in an introduction to an English translation
of "On the Incarnation" by St. Athanasius, C.S. Lewis cautioned,
"It is a good rule, after reading a new book, never to allow yourself
another new one till you have read an old one in between." 79 This is
sage advice, and I have tried to maintain at least this proportion in the
present paper. The moderns whose names have figured here so far—Chesterton,
Weaver, Lewis himself, Gilson, Maritain, Jaki, Molnar—are all of them
unquestioned (Neo)-Realists in metaphysics, men who prove themselves
capable to a remarkable degree of engaging in what Lewis calls an
"experiment in criticism",80 entering empathetically into the
worldviews of other ages, and therefore becoming capable of stepping back
from their own age and seeing it objectively. Now, if we raise the
question, "Does the name of Eric Voegelin (1901-85) belong in this
company?" we are faced at once with this problem: Voegelin would have
considered Lewis’s "experiment" to be an impossibility.
"History," he assures us, "is not a field of indifferently
objective materials…. Rather, history is constituted by
consciousness."81 Even more definitively, "there is no reality of
order in history except the reality experienced and symbolized by the
noetic consciousness of the participants."82 Thus one must
"renounce all pretense to an observer’s position outside the
process [of history]." One must instead "enter the process
and... participate both in its formal structure and the concrete tasks
imposed on the thinker by his situation in it."83 This is a view of
history derivative of Hegel’s transformation of history into a force
with a life of its own, adopted by Marx for his purposes, and finally
indistinguishable from the "postmodernist" view currently
fashionable. It would seem at once to deny the possibility of free will,
something Realist metaphysicians always uphold, and to limit the thinker
to the perspective of his own age. If the doctrine is true, one wonders
how Voegelin himself apparently managed to escape the trap, and to be able
to hold forth on the entire sweep of history, when his own philosophy of
history would seem to allow no scope for such an endeavor.
But perhaps I have misunderstood Voegelin here. Let us
put aside this issue for the sake of argument, and address directly the
question at hand. It is claimed by some that Voegelin is in fact a
Realist, and not all of these are necessarily his supporters; Molnar
records a conversation with a German colleague who, for example, could not
"forgive Voegelin... his realism." 84 One has the impression that
this claim rests on Voegelin’s undoubted acceptance of the reality of
the divine. If one were to compare this position of his with the terminal
nihilism of our own "postmodernists", Voegelin would indeed have
to be seen as a Realist of some sort.
But what emerges if one tests Voegelin, not against
"postmodernists"—in comparison with whom nearly anyone could
claim to be a Realist—but with actual Realist thinkers, and not merely
the Realists of the past, but such modern Neo-Realists as Gilson or
Weaver? To begin with, it will have to be admitted that Voegelin’s
account of "reality" itself is highly equivocal.
"Reality," Voegelin asserts, "is not a thing that man
confronts but the encompassing reality in which he himself is real as he
participates…. The philosopher [gains] insight in the structure of
reality... through participation in its process…. Insight into reality
is insight from the perspective of man who participates in reality. The
term perspective must not be understood, or rather misunderstood,
in a subjective sense. There is not a multitude of perspectives, but only
the one perspective that is determined by the place of man in
reality." 85 Now this is hardly distinguishable from Kant, and it also
introduces us to a characteristic problem of argumentation in Voegelin:
the self-invalidating claim. It might be epitomized in the form, "I
am not a subjectivist, but I see all reality as inextricably bound up with
the perceiving subject." Voegelin characteristically recognizes and
even analyzes a potential epistemological pitfall, and tries to avoid
falling into it by mere assertion of a difference between his view and
that from which he wishes to distinguish it. But, alas, he does not
adequately differentiate his position from the problematic one he
correctly perceives. In the current example, Voegelin beyond doubt ends up
falling into the dilemma of Kantian subjectivism as thoroughly as Kant
himself.
The issue is especially clear in this key passage from Anamnesis:
the impression of a subjectless event in being must
not be rejected as a false appearance; that would open the way for
psychologization: for sophistic theories concerning the gods as the
invention of a ‘clever’ man as well as for Feuerbach’s psychology
of the divine as a projection of the soul. On the other hand, one must
not hypostasize the impression [emph. added] of being, when it is
noetically illuminated, into being as an object; that would deliver
being to the libido dominandi of the speculators and activists,
and philosophy would derail into speculations of the theogonic or
historical-dialectic types. 86
Here Voegelin is definitive in his excellently
formulated rejection of the reduction of religion to merely psychological
phenomena, originated by Feuerbach, and then further developed by Jung—whom
Voegelin castigates by implication for "loading" the
"collective unconscious" with "archetypes that once upon a
time, before the psychologists put them down there, were the conscious
symbolizations of metaleptic reality," including myths, each of which
Voegelin considers to have "its truth", in a manner reminsiscent
of Mircea Eliade 87—as well in recent times as Jung’s popularizer, Joseph
Campbell. But when he cautions us against "hypostasizing" or
reifying "the impression of being" into "being as an
object", he reveals that he in fact falls short of the Realist
position. The Realists (or Scholastics), as Spinoza clearly stated in a
passage already cited, "start from things", and not merely
"impressions" of things. To start from the
"impression" (or "phenomenon" as opposed to "noumenon")
is to acquiesce in the Cartesian-Kantian fallacy which underpins all of
modern Nominalism. Realism asserts access to the actual thing, which
exists independently of the observing subject.
One senses from this passage that Voegelin may be aware
of his problem, but that he feels compelled to reject true Realism because
he thinks that it leads to doctrinal theology of the sort practiced by
the Church Fathers (here referred to as "speculators... of the
theogonic" type), out of which eventually emerge
"speculations... of the historical-dialectic type," i.e.,
Communism and Nazism! More explicitly than here, in The Ecumenic Age,
Voegelin credits Karl Jaspers for sensing in "[Christian]
orthodoxy", which of course is Realist, "the transformation of
existential truth into doctrine of which he recognized the murderous
consequences in the practice of Communism and National Socialism." 88 We
may conclude that Voegelin remained reluctant to assert the reality of the
objective world apart from perceiving consciousness at least partially
because he thought that such a move historically led to the destructive
modern ideologies. That in taking this position he was misconstruing
orthodox theology, both in terms of its actual content and in terms of its
true role in history, appears evident to me, even though I happen to agree
fully with Voegelin’s understanding of the ideologies as deriving from
immanentized Christian eschatology. The whole problem here lies in his
apparent failure to distinguish between a false interpretation of
the eschatology and a true one, as well as from an Hegelian
tendency, already noticed, to see the movement of history as inevitable.
If Voegelin is equivocal, for whatever reasons, on objects
or things, the true starting points of Realist epistemology, he is
equally so on human nature, the soul, and reason, all of which are also
foundation stones of Realism. "We casually work with the concept of
human nature as if we considered it constant, as did the classics [i.e.,
the classical philosophers?], or malleable, as do the ideologues." 89
But the true Realist does assert the constancy of human nature.
Voegelin’s attempt to claim some third conception of human nature seems
to be grounded in a Neo-Heraclitan view that all is flux, coupled with a
type of evolutionism again reminiscent of Hegel: i.e., human nature is in
process of unfolding, rather than given. This leaves the human
person with no faculty capable of "experiencing the divine
ground"—which is, as we shall see, Voegelin’s epistemological
starting point—or anything else, for that matter. "The subject of
the experience also is a matter of difficulty," he states, because
"the term ‘soul’, or psyche... must not be understood as
if it were an object about which one could make philosophical propositions
concerning its immateriality or immortality…. Rather it is strictly the
name of a predicate of which ‘place of tensions’ is the subject."90
(We might note that making propositions about the soul is precisely what
the leading Realist metaphysician, St. Thomas Aquinas, does in his Summa
Theologica.) But Voegelin goes right on to recognize that "since
neither the temporal being of man nor his experience of eternal being can
be doubted, there must be in man something nontemporal…." And this,
of course, is precisely the soul! Once again we find Voegelin painting
himself into a corner, and trying to have his ontological and
epistemological cake and eat it too: he sees the necessity of Realism, but
shies away from asserting it.
Thus Voegelin regards reason itself, at least as it
exists in the dichotomy of "reason" vs. "revelation",
as a construction of theologians calculated to "monopolize the symbol
‘revelation’ for Israelite, Jewish, and Christian theophanies" 91
(whereas Voegelin, as shall appear, wants to argue for the theophanic
legitimacy of the "experience" of such thinkers as Parmenides).
Hence "consciousness is not a constant but a process,"92 a
position which, taken in conjunction with the others studied here, puts
Voegelin, again, in the dilemma of being unable to posit any component in
the human person which could "experience" transcendent truth,
and he is left asserting the minimalist claim that
"epistemologically, there is no proof of things unseen but again this
very faith,"93 a doctrine which is conventional in much of Protestant
theology but stands at odds with the far more extensive claims for reason
found in true Realist metaphysics.
What, then, is Voegelin? A full-fledged
examination of his thought lies beyond the scope of this paper, but some
brief impressions may be given at this point. Voegelin actually takes
pains to deny that he is "dealing with problems of theology." 94
But that is exactly what he is doing. In fact, it is not difficult
to extrapolate from Voegelin’s writings a virtual Credo of his basic
doctrines, ironically contradicting his view that the articulation of doctrine
is a "derailment" of primal spiritual experience—a view,
incidentally, characteristic of mystics in all religions throughout
history. Actually, it is impossible to assert anything whatsoever on any
matter of consequence without at least implying some underlying first
principle.
Voegelin’s Credo might read something as follows:
I believe in a Divine Ground of Being, which is
ultimately the only reality;
and in a metaxy or intermediate state where
this Ground and man mutually inter-participate; and in a primal
experience by man of that Ground, undifferentiated and pure;
and in a faculty, "noetic consciousness",
that renders possible "differentiation", or conscious thinking
about this experience, thinking which causes a dissociation of the
previously unified cosmos into "world" and "divine
ground";
and I believe that in so thinking man invents symbols
or myths to capture or convey this experience, symbols that change as
the experience itself evolves and transforms; that such Christian
concepts as "Fall", "Incarnation", "Son of
God", "Resurrection", etc. are examples of such symbols;
and that these symbols devolve by error into
doctrines, which further degenerate into modern ideologies;
I await the ultimate evolution of the self-revelation
of the Ground of Being into some unforeseeable higher mode of Being.
These propositions, articulated in various ways
throughout Voegelin’s works, are precisely doctrines, every bit as much
as the doctrines promulgated at the Ecumenical Councils which Voegelin
thinks somehow "deform[ed]... the experiential insights" they
supposedly explained. 95
These doctrines establish Voegelin as what might be
described as a Neo-Parmenidean or Neo-Platonic monist, deeply influenced
by Hegel, in a mode distinguishable from Heidegger only in that he claims
to accept Christianity as part of the unfolding self-revelation of the
Ground. As an epistemologist he is essentially Kantian. Now, Voegelin
would undoubtedly reject any comparison with Heidegger; he speaks
contemptuously of "the epigonic Being for whose parousia Heidegger
waited in vain." 96 But Gilson, in his untranslated but crucially
important posthumous work, Constantes philosophiques de l'être
("The Philosophical Constants of Being," 1983), brilliantly
characterizes the real problem with Heidegger’s ontological stance:
Parmenides already said, ‘Being is.’ Twenty-five
centuries later not only have we not advanced any farther than this, but
Heidegger barely dares to go even that far. He does not feel certainty
about the proposition das Sein ist ["Being is"]... for
the phantom of ‘the being’ is always there, prowling around the `is'
as if around its home and anxious to return to it. 97
What Gilson sees here is the crucial choice that needs
to be made between the abstraction, "Being", and the actually
existent entity, "the being", or ό
΄Ών, The Being, The One Who Is, God,
a triune person and no abstraction. Voegelin’s formulation,
"divine ground of being", is in fact no better than Heidegger’s,
and falls short of the God who is the true ground of being in orthodox
Christianity as well as in the Realist meta-physics which is its handmaid.
Whenever Voegelin speaks of the actual revelation of God, whether to Moses
and the prophets or in the Incarnation as the second Person of the
Trinity, Christ, he treats these as being mere "symbols" of some
higher, ineffable "divine ground". This move—of relegating the
revealed God to a position of ultimate subordination to a higher
abstraction—is characteristic precisely of Plotinus’s Neo-Platonism,
as pointed out by Gilson in a passage already noted (see note 59). (As we
have seen, Neo-Platonic subordinationism also tends to be characteristic
of Pseudo-Dionysius, not surprisingly one of Voegelin’s most frequently
cited Christian theologians, and in fact more a mystic than a systematic
theologian.) But in true Realist metaphysics, nothing is higher
than the revealed God. Nor is revelation a mere "symbol" or
"myth" invented by man to explain some ineffable
"experience", but rather actual reality. One is, of course, at
full liberty to reject it out of hand; but there can be no having
one’s cake and eating it too by accepting it merely as another
"symbol" of an ineffable abstraction.
By placing the whole emphasis on a mysterious
"experience", Voegelin fails to escape from the solipsism of
German Idealism. As Molnar cogently phrases it, 98 "the term ‘experience’
is the alibi of German idealists when they wish to avoid speaking of ‘reality’;
it is the key to their subjectivism." And in the last analysis,
German Idealism is monistic; it is a monism of spirit, rather than
of matter, as in Democritus or Marx, but finally monism is monism.
Voegelin writes,
the philosopher must... include the truth of the
primary experience of a divine-worldly cosmos in his philosophy. For the
cosmos may indeed be dissociated into divine and worldly being, by the
experience of being, but that dissociating knowledge does not dissolve
the bond of being between God and World, which we call cosmos…. [N]either
can an immanent world nor a transcendent being "exist"; rather
these terms are indices that we assign to areas of reality of the
primary experience, as the noetic experience dissociates the cosmos into
existing things and their divine ground of being. 99
It is this monist position that makes it possible for
Voegelin to assert that "the God who appeared to the philosophers,
and who elicited from Parmenides that exclamation ‘Is!’, was the same
God who revealed himself to Moses as the ‘I am who (or: what) I am.’" 100
Similarly, the "force that compels the prisoner in the cave to turn
around toward the divine light (Republic)... belong[s] to the same
foreground of theophany as the fire that moves Moses to turn towards the
thornbush." It is significant that in the key passage, Ex. 3.14,
Voegelin amends "who" to "what", thus demonstrating
that he is disturbed by the radical personhood of the revealed God,
precisely as Gilson shows Heidegger to have been.
This, predictably, makes Voegelin a less reliable
interpreter of St. Paul than of any other figure he deals with at length.
He speaks of a "phantasy of two realities [which] has remained
constant in Western history from antiquity to the present…. Even in the
case of Paul we had to note his wavering between acceptance of the one
reality in which the Incarnation occurs and indulgence in the metastatic
expectation of a second reality to come in the time of the living." 101
Even "Resurrection refers to the Pauline vision [emph. added]
of the Resurrected."102 In other words, Voegelin equivocates on the reality
of the key events of Christianity, the Incarnation and the
Resurrection. He is so thorough an Hegelian evolutionist-historicist that
even Paul is said to be limited to the "construction" of
reality, and this "construction could not be ultimate but would have
to be amended with changes and enlargements of the empirical horizon; but,
at least, it remained ‘true’ for the better part of two
millenniums."103 Note how Voegelin, anticipating the common practice of
"postmodernists", puts "true" in quotation marks! No
surprise that he considers that "the divine presence itself, though
experienced by man who exists in time and space, is not a spatio-temporal
given,"104 and has recourse to the evasive concept of the metaxy,
instead of grasping the true Christian paradox of Incarnation: spirit
(which is one) assuming flesh (which is another) precisely in
space-and-time. If Voegelin had taken seriously as good-faith explorations
of these matters the writings of such Church Fathers as St. Athanasius or
St. Gregory of Nazianzus, instead of dismissing them as "derailers",
he might have escaped these misunderstandings, to say nothing of his claim
that early Christianity was "substantially ditheistic",105 which
breaks not only with patristic theology but with post-Reformation
Protestant theology of virtually any description. St. Paul famously
declared that "Christ crucified" is "unto the Jews a
stumbling block and unto the Greeks foolishness" (I Cor. 1.23).
Voegelin in his analysis of Paul appears to be one of the Greeks: he is
scandalized by the radical break between classical cosmologism and
orthodox Christianity.
Why should ontological monism be a problem for the
Realist metaphysician? Richard Weaver says that if we wish to reassert
Realism, "The first positive step must be a driving afresh of the
wedge between the material and the transcendental. This is fundamental:
without a dualism we should never find purchase for the pull upward…. So
long as there is a single breach in monism... the case of values is not
lost." 106 "Dua | |