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A Few Words from the Editor
A few of you will be reading these words in the old
format—that is, on the printed page. Others, however, will have
received a letter inviting them to view the issue on the Internet.
(Since I am not at this instant entirely sure of what our address will
be, I cannot include it here; and in any case, we will simply be
"hosted" by a donor site until we can find funds to afford our
own.) I have mixed feelings about the strategy, as do most of the Board.
On the bright side, I save a lot of postage, as well as all the time
spent in trivial pursuits like affixing labels and sealing envelopes.
Most appealing of all is the prospect of having our pieces read by
thousands of eyes rather than dozens or hundreds. On the dark side
(notice that I conclude with the bad news… is that terribly
revealing?), the global Net audience is indeed a mere prospect. Many who
have struggled to build a "Web presence" have discovered that
you’re better off sticking fliers under windshield wipers. Oh, you can
deceive yourself that thousands are visiting (at least until you
actually pay someone to track activity at the site for you); but the
mounting evidence suggests that people who surf the Net are in haste, if
not positively giddy. A person who takes just slightly more time to
assess your home page than Ted Williams would to decipher an incoming
change-up is probably not in a mood to wrestle with knotty issues. I try
to find grounds for optimism on the screen… but the only sure thing is
eye strain.
Well, you can always print out the issue, or those
pages of it which intrigue you. Then you will indeed be paying precisely
for what you consume, no more and no less. Let me underscore, however,
that anyone who wishes to receive a printed, bound copy of Praesidium
has only to tell me so. Since there is little demand for such
gratuities, I see no great obstacle to bestowing them. We still have a
few pennies in the till—and, frankly, I am eager to encourage
bibliophilia where it is sincere.
Have you noticed that the same people who once
carried placards demanding the elimination of our nuclear arsenal are
now chaining themselves to missile silos lest we switch to a "Star
Wars" defense? Many of them also told us that the computer was the
dawn of a Golden Age in education, nor have most of these sacrificed
their progressivism in matters cybernetic… except for shooting down
missiles, which is fraught with insoluble problems. Let’s see, now:
stem cell research, good… Star Wars, bad… computers in classroom,
good… nuclear power plants, bad… expensive jetliner to Paris, good…
oil rigs and tankers, bad… does this tally up to anything
comprehensible? All I can see is that we continue to be accelerated into
major "lifestyle" decisions for whose careful arbitrating we
have insufficient information and time. Of course, Praesidium is
dedicated to resisting this rush of the lemmings toward the precipice…
and here it is online. I don’t suppose anyone will rally before
Starbuck’s in protest of the inconsistency, nor am I convinced that
the Net is necessarily an agency of dumbing down. (Books can be that,
you know: drop by the chain-store at your local mall.) Nevertheless, I
assure you all that I have transformed the journal into an "e-zine"
with hesitation and, I confess, distaste. We’ll see.
Steve Kogan’s much-delayed essay on John Dos Passos
has primed me for some of these sardonic reflections. As the summer
rounded another Fourth of July’s meta (I allude to chariot racing,
which seems appropriately wild and headlong), a couple of malignant
reporters hereabouts decided to interrogate passers-by on such arcane
matters as the year of the Declaration’s signing and the adversary of
the Colonies in their struggle for independence. Though TV audiences
apparently get a hoot out of such streetcorner profiles in vacuity, I
find them very unsettling. Professor Kogan reminds us that Dos Passos
sensed some vital spark to be slipping out of our culture more than half
a century ago. I have my own pet theory about our cultural hemophilia,
which I share in a piece about the glories of the "useless";
and it just so happens that Peter Singleton also chose this season to
ruminate upon the degeneracy of the Western male. So we appear to have
for this quarter various assessments of a maelstrom made from various
levels of descent into its unsavory vortex. Mr. Moseby’s short story
has traveled well down the funnel—and its claustrophobic revelations,
as is art’s way, somehow lighten up the whole landscape.
I might add that Steve Kogan’s essay should have
appeared much sooner—and would have, but for (of all things) a
software problem! I’m not making this stuff up, just reporting it as
it occurred. Seems that Microsoft has effectively squeezed the Apple off
the market, and that Steve (who prefers manuscription, in any case) is
one of the last patrons of the latter. Only after weeks of combing the
city did I find an outfit that could make the conversion from his disk
to my version of Windows.
I ended up (for those few of you who are reading hard
copy) inserting the cartoon on the page where the Dos Passos essay
concludes. The levity was intended to follow a short piece about the All
Star Game before the blunt realities of layout intervened. When all is
said, however, I think Dos Passos might pull a wry smile to see his work
"footnoted" with a jab at the media feeding frenzy around Cal
Ripkin. No doubt, Dos Passos didn’t quite foresee the Age of the
Organization morphing into the Age of Hype, Spin, Web, and Net—or only
toward the end of his life. The question now is, what next? How long can
we graze on "Cal" nostalgia, or how long can a Cal-clone
scanned into a video game amuse us?
I suggest we start at home, all of us. Close your
windows and your Windows, and think. ~J.H.
****************************************
Breaking Line at Payback Time:
Victim-Ideology’s Culture of Rage
by
Peter Singleton 1
I
Road rage, air rage, restaurant rage, waiting room
rage. Frayed nerves, flaring tempers. "Get outa my face! Get outa
my life!" The computers are down, or else your browser won’t
access this site. Your e-mail came back marked "User Unknown",
or else you can’t collect the e-mail because your server is flooded.
Or else you’re bombarded in SPAM (we use acronyms because even short
phrases take too long to pronounce) and you hardly have time to find the
one message you were waiting for. Now you have to rush off and pick up
the kids, get to the bank, hit Quickstop for a gallon of milk. Why is
that idiot in your lane? Either hang up the phone or get off the road,
you jerk!
There’s nothing very new about the idea that the
pace of life has picked up, and that our manners have eroded in the
process. Electronic technology has been especially deadly to our
patience. It has shortened the time we must wait, all right: but it has
also destroyed our patience, so that any wait is too long. How many of
us who marveled at our first computer’s ability to scroll through an
entire book manuscript now grind out teeth because our state-of-the-art
model needs ten seconds to boot up?
On the other hand, we really can’t keep up with any
of this. A new software program is always mildly terrifying: make a
single careless or uninformed move, and you find yourself, not one step
down the path you didn’t want, but two counties down the wrong
highway. And speaking of highways, automobile traffic now decimates our
"peaceful" era’s population about as steadily as
reconnaissance patrols ever did during a major war. At 70 m.p.h., your
car really isn’t entirely under your control. You just missed your
exit while catapulting through a busy city: now how do you get back? You
don’t know these streets—time to panic! A different kind of panic
can overtake you when your monthly credit-card bill arrives, but speed,
again, is the culprit. At a click of your computer’s mouse or the
touch of a few buttons on your cell phone, you’ve bought a gem or food
processor or set of golden-oldie CD’s before you had time to think the
transaction through. Now you have to pay up, at least on some of the
interest. How did you manage to spend so much… where are you going to
find all that money?
It’s enough to make anyone sullen. Always waiting,
but always too late. You’re in a hurry because this brave new world is
too fast for you, and you have to catch up; but since you’re always
catching up, the traffic is always moving at a crawl, it seems, and the
Internet connection always runs like cold molasses.
And because there’s no time to stop and examine
your own feelings, let alone to re-shuffle your priorities, each new
frustration is painted against a backdrop of brooding blues with
occasional red flecks. Your own system is overloaded, and you won’t
even know it until you explode over some trivial provocation. Then you’ll
be left with the task of trying to explain to any friends you wish to
keep just how bad you’ve been feeling today, for several days… you’ve
been thinking of getting help. But first you’ll have to slow your
friends down, and they may prefer simply to chalk up your hysteria to a
"bad morning" without breaking stride. What are friends for?
Catch you later!
*****
The analysis above, itself rather staccato, is
usually offered in some form to explain the collapse of "civil
society". And it certainly isn’t without merit, even though it
never leads to a remedy when one sees it squeezed into twelve minutes on
Dateline or 20/20. What are we all supposed to do—take a
deep breath and say "omm"? Find our soul’s center of gravity
and let our psychic energy swirl around it? "This isn’t really
happening… all these people, all this noise, it’s not really where I’m
at." Solipsism, we call it: the belief that reality stops where one’s
senses end. That should solve our crisis in manners!
Such "fixes" of pop psychology also
overlook (or perhaps reflect) an essential aspect of the problem. Our
ruthless, cutthroat approach to life is not just the madness of haste:
some of it has been thoroughly, even voluminously worked into a system.
Since the late sixties, the party line in our universities has been that
all etiquette, all tradition, all morality is ultimately a machine
designed by those in power to keep the underclass quiet. The
"party" which purveyed this line was often Marxist; but with
the discrediting of the Soviet Union and Red China by voices from within
that could not be silenced, the dogma shifted and grew more
"refined". Marxism at least had an overall sense of history
and—admit it—a latent sense of decency. Though it
"empowered" people to stick up their rich neighbors, the
proceeds were supposed to be applied to giving Tiny Tim medical
coverage. That all historical versions of Robin Hood have failed to
measure up to the legend was a hard fact to impress upon socialists. It
still is. Their sense of decency depends on the suppression of their
sense of history.
But even this highly flawed system is positively
Newtonian compared to what comes out of the academy nowadays. Pick a
group—any group: racial minority, women, homosexuals, certain
designated non-Western religious faiths… okay, so I didn’t mean just
any group. It has to comprise non-whites, non-males, or people of
non-European descent. Within these parameters, you argue that the chosen
group has suffered centuries of oppression. Now the time has come for
its masses to rise up, strap the saddle on the master’s back, and ride
him with spurs and whip. Usually these arguments are advanced in
arrogant defiance of the historical evidence—far more even than
designer-brand Marxism. Assuming that you can stomach their "do
unto to others what their remote ancestors sometimes did unto
yours" kind of morality, you still have to confront an unscrupulous
exaggeration of just what was done. To be sure, history may be accepted
as an ally—and warmly embraced—for the short distance that it seems
to walk beside systematic paranoia. A couple of documented incidents or
a period of a few weeks may well sit constantly in the spotlight.
Otherwise, the pseudo-histories of Hollywood and the talk-show rant of
its darlings are called upon to bear witness as if they constituted an
"oral record" passed down by field hands and washerwomen.
"Everybody knows that they chopped a slave’s foot off when he
attempted to escape"… well, it must be true, then. Everybody saw Roots,
so everybody knows.
I’m talking about college professors, though.
Sometimes they can’t get away with this kind of populist grandstanding
among their colleagues, a few of whom still read original source
materials. So the New Historicists (as they style themselves), when
faced with facts, simply rule all the hard evidence out of bounds. If
something was written down, the person who composed it must have been
literate: that is, a member of the ruling élite. If that something was
preserved, or even published, it must have met with the approval of the
ruling élite generally. Hence you can’t trust it. You’d be safer
assuming that at least every other word is a lie.
Let’s stick with the Africans imported to be slaves
for a moment, since their reason for collective rage is probably
stronger than anyone’s. (I would except the Native Americans; but
then, not enough of them are left to voice much rage.) A movement is
afoot for the descendants of slaves to be indemnified for their
ancestors’ labor. Back wages with interest—a nice fat cash
settlement for those concerned. Several obvious questions at once occur
to me (or to anyone who dares to think openly and honestly). Who would
pay—only whites, and all whites? All all-whites? That is, would a
Chinese-Caucasian be excluded, or would he pay half the levy? What about
whites descended from immigrants who didn’t even arrive here before
Emancipation? What about whites whose forefathers fought for the North?
I suppose I should pay something: some of my ancestors were definitely
slaveholders. But then, some of them also took up arms against their
cousins and sided with the Union. That strikes me as pretty commendable:
to enter mortal combat against your own flesh and blood for the rights
of people not even of your race. Would I get any discount for those of
my forebears who risked their lives to free the slaves?
What about people who are half-black, half-white?
Would they make out a check to themselves? What about blacks whose slave
ancestors were freed within years of arrival—within far less time than
the whites shipped over in indentured servitude? What about full-fledged
African-Americans—émigrés from Biafra or Rwanda who were only
too glad to make landfall on these shores in recent decades?
Would England and France chip in something for having
operated a lucrative slave shuttle across the Atlantic? Would Arab
Muslims pay something for having financed slave raids on the African
continent, where (in the Sudan) they continue the practice as you read?
If the case depends upon the assumption that Southern
plantations made fabulous profits, would the revelation that most were
in deep financial trouble have any bearing in determining payments? What
about the disclosure that room and board would have been considered
adequate compensation, more or less, for field laborers at the time? Is
the collective fine for back wages or for the outrage of having been
forcibly transported to the New World? If the latter, then are the
descendants of white debtors shuffled off to Georgia or Catholic
political refugees hounded out of Scotland and Ireland eligible for a
few bucks?
And speaking of the Irish… if an onslaught of
lawsuits is permitted (as trial lawyers pray it will be: they, of
course, are the guiding light behind this vast act of penance), shouldn’t
something be done for the descendants of tenant farmers who were
squeezed out of Sligo and Mayo and Cork during the Famine by greedy
landlords? I have some Irish forefathers, too, as I recall—I should be
able to recoup some of my "penance" money through them. The
Potato Famine was really a series of famines during a time when every
sort of staple but potatoes was thriving. The government could
easily have stepped in and alleviated the suffering. Instead, the
landlords pulled strings in Whitehall (where there was actually some
sentiment in favor of relief) and secured inaction so that they might
sweep their cumbersome tenantry away and employ new methods of mass
cultivation. The potato blight was a godsend for their cause. Many of
them even put up the money for the destitute farmers to book passage to
New York or Boston or Quebec. The only problem for the latter was that
since the shipping company had made all the profit it could off them
before they ever came aboard, they were packed like sardines, and little
space or cash was wasted on food and water for them. A slave who reached
America dead was an investment gone down the drain: hence the number of
slaves that could be boarded safely was calculated on those model ships
where you see dark figures sketched in lying down. The swarms of Irish
were another matter. When cholera made its rounds (as it almost
invariably did: the city of Quebec was plunged into a major health
crisis), the sick were sometimes tossed overboard with the dead. Ships’
captains didn’t want "the fever" to spread above-deck, so
they took precautions, some quite extreme. There is a documented case of
an ailing woman who clung to a wooden post lest she be jettisoned while
still alive: "with that, one of the sailors struck the blow of an
axe upon her wrists," and she put up no more resistance.
Pretty awful story, isn’t it? It ought to be worth
something. I get made just writing about it. I’m mad right now. I feel
a rage coming over me.
But then, I’m also part English: so if I ever did
win a cash settlement, I’d be among those required to make a check out
to themselves (minus an attorney’s fee and new taxes to fund the
Federal Restitution Commission, which would well nigh clean out my
account). Furthermore, I have a hunch that the Irish Gaels did some
terribly inhumane things to one another before the Normans ever divided
and conquered them. History is not very clear on the details, but the
Irish heroic sagas are full of foul betrayals, ruthless beheadings, and
mass carnage. If I were 100% Hibernian, research would surely suggest
that I should be making checks out to myself until my pen runs dry.
You see the problem that keeps surfacing. People are
despicable to one another, yes, and if you select any particular period,
you’re certain to find one group dishing it out with special relish to
another group. Yet the more you back away and look at context, the more
you realize that inhumanity is an essentially human condition. The Serbs
whom our government succeeded in vilifying recently before an ignorant
public had in fact fought with the Allies against Nazism, while the
Islamic minorities in their midst had so fully collaborated with the
fascists in places that they themselves were grinding the tyrant’s
boot upon innocent victims. Follow history back a few decades, and the
ball of brutality is back in the Serbian court, and so on. As I write,
the freedom fighters of the Kosovo Liberation Army with whom we
officially sympathized are fanning the flames of new conflict in
Macedonia. This part of the world has seethed with ethnic hatred since
before the Macedonia of King Philip (Alexander’s father) started
flexing its muscle—since before the invasion of Darius’s Persians
(Alexander’s pretext for conquest). The only periods of peace during
recorded history have been stand-offs.
On this side of the Atlantic, the Native American
nations were certainly not all co-existing in sweetness and light before
the white man’s arrival. The relatively peaceful Caddo, for instance,
had been all but exterminated by their more bellicose neighbors, the
horse-borne Comanche; for once tribal groups like the Comanche and the
Sioux had acquired the progeny of the conquistadors’ chargers, they
became a terror to those around them. To the extent that they didn’t
resolve all their age-old rivalries permanently, it was because other
tribes (e.g., the Shoshone) had also mastered horseback-riding, and also
because their self-interest really didn’t require wiping out the other
side. It was scarcely out of charity. The land which was later
"stolen" from them included vast tracts of prairie over which
any given group migrated perhaps once a year. Had they lived in fixed
villages like the ancient Anasazi of the southwest (who mysteriously
disappeared, perhaps bullied by an Aztecan people which sacrificed
humans), they would have settled their disputes less like Tamerlane and
more like Milosevic. Indeed, the comparatively sedentary Huron and
Iroquois were ferocious beyond anything within European memory (though
just beyond the intruders’ polite memories, many parallels
lurked in the shadows). They slaughtered their adversaries and mutilated
their prisoners. And they took slaves.
Usually the slaves were women and children. This is
the rule in traditional cultures which have no need of raw man-power in
large amounts: the men are butchered, while the women get to live. When
the Greeks sacked Troy, legend has it that they went so far as to
slaughter male children like Hector’s son Astyanax lest the boys grow
up to avenge their fathers. This is a legend, of course: even those
ancients like the Roman playwright Seneca who wrote it down viewed it as
some kind of allegory. ("Civilized" memory was already sending
the bad boys off into the shadows.) Yet such legends often reflect what
was once standard practice much more faithfully than we care to believe.
It makes a brutal kind of sense, after all: kill the potential warriors
and breed a new underclass from the serving girls.
So the women got to live. You may say that they would
have been better off dead, and you may well be right. Homer and
Aeschylus don’t paint a very happy picture of the female slave’s
existence. But then, such value judgments further vex the issue, don’t
they? If it were you, would you really rather die? Can you
confidently speak for your sister, your neighbor, everyone you know? All
females everywhere?
When certain feminists complain that they have
suffered a history of oppression, they seem to me to err on all three
counts above. That is, they first ignore that we are all oppressors,
generically as a species and potentially as individuals. Secondly, they
simply aren’t correct with any respectable degree of detail. The most
prosperous male peasant farmer in the Middle Ages had a far more arduous
life than the most cloistered female aristocrat, and men have always
been expected to volunteer as cannon fodder for an unending succession
of wars while the women stay home and wring their hands.5
Well, maybe you’d rather starve than be cloistered, or maybe you’d
rather be vaporized than left to wait in anguish. That’s Point Number
Three. Just because you personally might not be daunted by the miseries
of the working class or of male social obligations doesn’t give you
objective cause to rate the miseries of conventional womanhood above all
others. Some people, I truly believe, find getting shot at quite
exhilarating. It is willful blindness bordering on insanity, however, to
insist upon this "right" for all women (in the form of
frontline military service) because you really hate housework and
shopping.
I’m not saying that I personally enjoy housework,
on the other hand—and if I were, it would be just as irrelevant as
another’s rare love of whistling bullets. Personal preferences are not
in competition here. My point is precisely that labeling one gender’s
habits of life better or worse than the other’s is mere shooting of
the breeze and blarney. The irreproachable Gertrude Himmelfarb cites the
reluctant work of one feminist scholar who, having scrutinized long and
hard the "miseries" of less affluent Victorian matrons, had to
conclude that the picture wasn’t so very bleak: "In the
working-class family, the women were far more dominant [than in the
middle class]. There, in their separate sphere, they constituted
something very like a matriarchy."6 This sort of
conclusion just won’t do if you aspire to the feminist
"ideal" of dictatorial power confirmed by propaganda. On the
other hand, if you are interested in truth, it is inescapable.
The Marxists at least had such objective measurements
as health and nutrition on their side when they designated the poor as
oppressed. What similarly objective standard do today’s feminists
have? Before the twentieth century, women often died young in childbirth…
yes, but men often died young in battle. Women were often kept close to
home and not allowed to participate in politics… yes, but the travel
undertaken by most men was toilsome and dangerous, and access to
politics was extended only to a privileged few. If you make a scorecard,
you can go on like this all day. Every time you think of a way in which
women were shortchanged, you need only think a little longer to balance
it with a way in which men were shortchanged. No, the two sexes didn’t
live the same lives in yesteryear’s world—only in degree of labor
and grief. And that is another human constant, rarely fluctuating
from person to person. We all have pretty hard lives.
What about the person who’s ugly rather than
beautiful? Regardless of gender, those who are pleasant to look at enjoy
a lot of coddling and preferential treatment. What about the overweight,
especially overweight women? What about the undersized, especially short
men? These groups have drawn a certain fashionable sympathy lately, but
nothing approaching the legally sanctioned preferential treatment
lavished upon some minorities whose victimization is more
"classical". What about the shy? They have no lobby whatever—how
could they? They’re shy! Or what about the most persecuted, execrated,
crucified minority of all: the minority of honest people? They get
passed over for promotions, they get squeezed out of work if not openly
fired, they get transferred to Siberia, and in some societies they are
literally imprisoned or executed. Should we protect honest people under
the Fourteenth Amendment? Should their descendants be eligible to
collect damages from descendants of the persecutors? Should Solzhenitsyn’s
grandchildren have their day in court against Stalin’s grandchildren?
But a truly honest person is probably also a good
person; and a good person would tell you that honesty is its own reward—that
the person who lives in lies is as pitiable as the damned in hell. Those
who tell lies have bad consciences, don’t sleep well, poison their
personal relationships, send up their blood pressure, and otherwise
self-destruct. Maybe they should seek indemnity—from God, for
making the human heart so weak at the prospect of its own evil. Why,
even the handsome and the beautiful often share a corner of this hell;
for to be celebrated for something so shallow as your looks is itself a
lie, and eventually pretty posterboys and beauty queens begin to choke
on the very laurels meant to please them. What real happiness did Elvis
or Marilyn ever know? Or to retreat to ancient literature again, what
woman ever ended up more miserable than Helen of Troy, who beauty
rivaled the goddesses in beauty? If you prefer Celtic legend, the Irish
Deirdre, the Welsh Branwen, and Arthur’s lovely Guinevere all died
deaths of utter despair after causing the destruction of everyone dear
to them. Who would pray for beauty in the light of such examples?
The feminists I have known around the campus would
have agreed enthusiastically that beauty is a curse—a male curse, they
would have added. Just look at the sacrifices women are forced to make
to appearance! Brow-beaten by their fathers, bullied by their lovers,
and admonished by their poor brainwashed mothers, girls grow up thinking
that they have to starve themselves, spend hours in front of the mirror,
and wrap themselves like Christmas packages to be pleasing. Then men
deride them for their dread of smeared make-up and their closets full of
clothes! Setting aside the fact that this portrait of the slavemaster
matches few males I personally have ever known, I would pose feminists
the one question which their raves invariably leave me pondering: what
is the feminist alternative? If only they would answer, "Freedom
from frivolity and shallowness; clean, well-groomed people of both
genders who do not waste time and money on coarse, gaudy allure"...
now that I would cheer three times! Simply, tastefully dressed
women have always had an attraction for me, precisely because their
appearance advertises intelligence and character rather than subjection
to fad and eagerness to elicit the lowest sort of interest.
Yet how few such women one sees! For my vision of
gender equality is altogether too puritanical for feminists of every
stripe: they groan at my New Jerusalem of browns and grays, just as
their imaginary slavemasters are supposed to do. Their alternative is a
world where women get to "hook up" with men at will, without
wasting time on flirtation or money or perfume. I envision a meeting of
minds, of souls: they envision good sex on demand. No wonder that their
ideological descendants, the carnivorous neo-feminists of Naomi Wolf’s
species, have returned to their mirrors and walk-in closets—not to
adorn themselves for the master, but to bait the hook for passing
sharks! The name of the game is consume and be consumed, with an
emphasis on the former. Always strive to get more pleasure than you
give. That’s how you know that you’re not being exploited.
This discussion may seem to have wandered off track:
one minute, an argument that oppression and victimization are basic to
all human relations… the next, a straight-laced gripe against
feminism. Actually, the fusion of these two efforts is the very heart of
my present purpose. Feminism is a specific example of victim-theory. As
such, it has all the liabilities and fallacies of other examples. People
always suffer, and they always inflict suffering. The best people choose
individually to take more than they dish out; but even in them, the
potential to hurt always abides. Particular patterns of abuse flowing
from one group to another are inevitably reversed over time (or perhaps
an undercurrent is secretly returning the abuse at the same time). In
the matter of women having to primp and preen for domineering males, I
would briefly protest (from bitter experience) that men are often held
to standards just as shallow and demeaning by women. A letterjacket is
the key to hot dates in high school. A new sportscar draws a girl’s
longing gaze from the first Barbie Doll until about thirty (because, I
suppose, cars represent escape from parents for the young, and for the
slightly older a ticket to high-rolling evenings and weekends).
Licentious male buffoonery seems "wild" and "fun" to
the fair sex well into their fourth decade of life, by my reckoning. The
standards may be different in a Comparative Literature graduate program,
but they are just as shallow and impersonal: wild hair and tattered
jeans were cool in my grad days, along with anything else which signaled
utter contempt for bourgeois decorum.
My generalities, of course, are sweeping—just as
those which feminists make about male expectations. There is plenty of
just cause for either gender to complain about the other. My question
remains: what’s the alternative? Where does all this complaining get
us?
At present, it’s driving both sides into an ever
more unsightly rage. The more feminists lead women in a kind of
inside-out pep rally, the more ordinary female citizens with no academic
connection begin to attribute all their bad days and hard times to men.
If your boss is a man or the person promoted in your stead is a man,
then the "old boy" network must be involved. If the guy you’re
dating is a jerk or your husband is having an affair, it’s not because
you sadly misjudged his character—it’s because he’s a man, and he’s
running true to form. Why are there wars in the world? Why so much
poverty and abuse of power? It’s a "guy thing": men are
violent, aggressive, competitive, pitiless, and selfish. It’s all
their fault.
Of course, this outrageously "bum" rap
creates a smoldering indignation in men which is coming ever closer to
full-scale ignition. Women want their share of executive positions, yet
the same women often won’t date a guy whose position and power are not
at least equal to theirs. Women gripe about a Playboy magazine on
some guy’s desk at the office, yet they spend thousands of dollars a
year sculpting their bodies at the gym or on the plastic surgeon’s
table so that they can make a man’s jaw drop. They don’t want to be
brushed against at the water cooler, but they won’t refuse a promotion
or a contract if showing a little leg helped to get it. They’re
working both sides of the street at once. "Don’t treat me like a
carnal object unless I want you to," they seem to say—or to avoid
saying (since that would be too honest). "Even then, you’d better
make independent calculations to be sure that I’m not in error, that I’m
fully sober, and that I’m really going to come out ahead in the
deal."
Unfortunately, I believe the enraged male response is
already well under way. In manly style, the guys bury their resentment
so deeply that they themselves don’t know it for what it truly is; but
I believe that the way men have "yielded" to women and agreed
to treat them as equals conceals an immense amount of hostility. I’m
waiting for the day when men say, "You want to join the marines and
be on the front lines? Sure, go ahead! In fact, let’s have an
all-woman army to make up for the years when it was all-man. Affirmative
Action in action!" I haven’t yet heard any male seriously advance
this proposal. Most men are still too chivalrous—for some reason—to
tolerate the thought of women in a battlefield slaughterhouse, or else
they love their sisters and wives and daughters too much.
But in other ways, I can see that attitude shaping
male conduct: "You want to play rough? Okay, we’ll play
rough!" Dating customs are the most obviously impacted form of
behavior. Men have entirely stopped caring whether or not the lady
shares their diseases or conceives their children, let alone whether or
not she forms some strong emotional attachment. The dating game is now
definitely hardball. You go out in the evening hoping to
"score". You assume that the girls all want what you want (and
that you want what the feminists insist all guys want). Everything is
"foreplay": it’s all a matter of figuring out how much this
particular chick expects to be finessed. If you’re not carnally elated
by the evening’s climax, you have a right to be disappointed, to go
elsewhere. If you are elated thus—if things went
"well"—you may wish to see the lady again. She’d just
better not get any ideas, okay? This is all about sex. She’s good at
sex. No more to say.
I do indeed see a lot of violence and aggression in
such behavior—but I don’t see anything fundamentally male in it. Or
maybe I should put it this way: such behavior is fundamentally human
insofar as it expresses contempt and suppressed rage. It’s about half
a step above administering physical beatings. Of course, many of these
relationships stray across the line and become assault cases. You grab
them, you force kisses on them, you get their clothes off or out of the
way, you attack… you pull hair, you squeeze wrists, you pin down
elbows, you gnaw and bite… you tie up, you chain down, you whip and
slap and burn… a distinct progression from mere lustful passion to
brutal rape to sadistic torture. Are we to believe that the man at the
far end of this scale is expressing love? Or even that he is just in hot
pursuit of great sex?
Well, maybe the latter. For the problem is that the
progression can never be very distinct, after all: sex is always
potentially violent. Without tenderness, it can quickly become criminal
assault. I haven’t mentioned the volley of rape accusations discharged
at men by the New Woman as part of what we guys have to "put up
with" because, frankly, I find a lot of truth in these charges.
Like Wendy Shalit in her splendid book, A Return to Modesty, I
see very, very little to distinguish the contemporary practice of
"hooking up" from a kind of low-key, institutionalized rape.
In case you haven’t encountered that elegant term, allow me to let Ms.
Shalit explain it:
Hook-up is my generation’s word for having
sex (or oral sex) or sometimes for what used to be called "making
out". The hook-up connotes the most casual of connections. Any
emotional attachment deserves scorn and merits what Sex on Campus
[a politically correct manual of social etiquette for students] calls
a dangerously high "ball and chain rating". ("A
ball-and-chain rating of 0 or 1 would mean that you should be able to
go on about your business without much worry.") Without
embarrassment, there cannot be any surrender. We can only hook up….
In this light, it is not very surprising that so
many date-rape charges should fly after these "hook-ups". At
every turn our romantic hopes are quashed by the words once used to
rationalize faithless marriages. Our sexual landscape is already
soaked in the language of betrayal before we’ve even begun.7
Consensual rape, if you like oxymorons. Make no
mistake: the men who engage in such practices have no true respect for
women as human beings—and little enough for themselves. I’m sure
that they admire a beautiful girl as they would a pizza with all the
toppings or a sportscar with a V-8 engine… but to esteem a person on
that level is to feel contempt for her as a person. You don’t devour
people you love—or even people you like.
In my opinion, this is male rage at the death of
love. When feminists no longer allowed men to love women, they took
something essential away from the healthy, responsible male. I shall
discuss just what I believe that thing to be in the next section. Being
deprived of it was also a kind of assault—was, indeed, the initial
assault, with the male at the receiving end and the female dishing out
lethal punches. Love died, and something in men died with it. In
response—in revenge—men started giving women just the
de-romanticized version of love that feminists demanded. They started
clamoring for sex, lots of it, and in varieties as exotic as anything
the Marquis de Sade ever dreamed of. They counter-punched, and these
punches, too, were lethal. Most young women were caught in the middle,
spouting feminist cant without which they would not be thought
intelligent, then absorbing the libidinous punishment of their
"boyfriends". Today we are told by researchers that oral sex
among teenagers is about as routine as kissing: girls who have had
dozens or hundreds of such encounters may even consider themselves still
virgins. Could we need any further proof that young men are in a
spiteful, vengeful mood—that they are in the throes of rage? All that’s
left now is for them to behead each girl after they soil her.
And however much neo-feminists may fantasize about it—however
deep Naomi Wolf may dig to find her ultimate "shadow slut"—women
will never be able to soil men in the same way. Not remotely. Male
biology dictates when the event is over, male biology dictates the
character of the event (details spared), and male biology requires that
the event be an "invasion" of sorts with the male entering the
stronghold. Feminism can juggle words and feminists can flirt with
lesbianism, but nothing can truly change these basic facts. The New
Woman, therefore, will continue to feel more rage as the Degenerate Man
takes out ever more of his rage upon her. What’s next? Female serial
killers targeting males? That unheard-of phenomenon has already begun.
Look for it to become a criminal trend.
Unless, of course, we can work our way back from the
abyss. Somebody somewhere has to stand up and cry "enough".
Several people, no doubt, have to do so. Wendy Shalit and her spiritual
sisters (Maggie Gallagher, Danielle Crittenden, and a few others) have
already done so. Now, who on the male side will stand up, accept
derision, keep silent under repeated insult, and do the right thing?
Why, isn’t every "real man" supposed to be ready for that
moment?
II
I know that a certain type of man is probably
guffawing to himself after my first chapter, "What a pansy this guy
is! Since when did a real man ever put all this heavy-duty stuff
into sex?" (I’m trying to imagine what monosyllables this
complacent hairy ape might use: frankly, I doubt that he would have
struggled past the book’s front cover.) This is the sort of man which
feminists have caricatured: and it is the caricature which young males
think they must live up to if they are to become "real men".
Gloria Steinem once remarked (with that urbane irony of hers which
conceals so much contempt for the human race) that every woman is
entitled to a parking lot attendant once in a while. Here we find the
"real man" image in a nutshell. His dark hair is slicked back,
his sinuous lips work around a stick of chewing gum, his broad shoulders
swell a leather jacket open at the collar, his Elvis buttocks are poured
into a pair of blue jeans… he stares at women as if they were meat on
the butcher’s counter, he squeals tires around dangerous curves with
an indifference to annihilation bordering on idiocy, and he listens to
music which must evoke in his etiolated brain either an engine in need
of tune-up or a primeval thrash through the treetops. Yeah, real man. Bon
appétit, Gloria.
In fact, this debased stereotype strikes me as
thoroughly effeminate in many ways. I think of a man as someone who is
strong. Well, so does Gloria, I daresay: but what I mean by strength has
nothing directly to do with sexual stamina. Imagine a clichéed
Hollywood survival story where a passenger plane crash-lands in the
Sahara or the Indians steal all the pioneers’ horses in the wastes of
Utah. Who will make it back to civilization? Actually, women fare rather
well in these situations, because nature has given their bodies more fat
to draw upon; but among the men, who will be able to stare hunger,
thirst, heat, cold, and death itself in the face? Will it be the kind
who has spent his life appeasing his senses, or the kind who has always
kept his senses in subjection to his reason? If a man’s primary
ambition in life has always been to get a woman in bed, then how will he
handle not only doing without that pleasure, but doing without food and
water? If he has been unable to deny his body the joys of love-making,
how will he force that same body to walk thirty miles a day in
blistering heat? I don’t see him getting very far. His stamina is in
the pursuit of carnal thrills, not in the mastery of physical pain.
Speaking of Hollywood Indians, they were my greatest
heroes when I was a boy. I often rooted for them even when I wasn’t
supposed to. The White Eye soldiers had cannons and repeating rifles,
leather saddles, warm clothing, and fireplaces back at the fort: the
Apaches who slipped off the reservation had a few arrows, no saddles,
loin cloth with moccasins, and a bed of blowing sand. The Captain’s
daughter wasn’t cozying up to any of them, yet they were the
true men. That was pretty obvious, even to a kid. The closest thing to a
man in the fort was often the scout who had been raised by the Sioux.
Maybe he got the Captain’s daughter, and maybe he didn’t: he refused
to let her perfume cloud his mission.
Then James Bond came along. Before the sixties, I can’t
remember a single instance on TV or at the movies when the toughest guy
in a fight was also an insatiable, wholly unprincipled Don Juan: desired
by women, yes—very much so—but not inclined to exploit every woman’s
desire for one night. One of the reasons I tried to be "manly"
as a boy, in fact, was so that girls would find me attractive. I wanted
to be strong and silent, impervious to pain and devoted to duty, like
Gary Cooper or Clint Eastwood. Or maybe not quite like them… I was too
young to know Gary except from The Late Show, and Clint was always tough
without any cause deserving of such toughness. (More on that later.) My
real hero was probably Patrick McGoohan (Secret Agent), the
agile, handsome, cerebral British actor who was first approached to play
James Bond, and who refused precisely because the part’s cold-blooded
killing and cold-hearted sex-for-sex repelled him. He was too much of a
man. McGoohan’s last great role was as Number Six on the highly
creative (and controversial) experiment in futurism, The Prisoner.
No kisses or cuddles, no tears or whining, not even a lot of fistfights
where he prevailed over his jailers’ far greater numbers: but moral
determination flowing over the brim—the ability to define himself
through will power rather than through visceral impulse. I vaguely
classed Number Six with a man who has remained my real-life hero,
Alexander Solzhenitsyn. Yes, those were men.
I doubt that I ever succeeded remotely in emulating
such figures. What I do know is that the girls wouldn’t have been
impressed even if my emulation had been picture-perfect. I used to dream
of moments when I could display my raw courage, yet I never observed any
fair classmate clasping her hands and sidling up to a proud, straight
sapling of a lad the way she might to a trembling, anemic "bad
boy". I used to imagine a bomb scare at school where everyone else
would dash for the doors screaming: I, of course, would impassively,
even nonchalantly raise the doomsday parcel in one hand and walk it to
the football field. Boys still have those dreams of a beautiful death—only
now they plant the bombs instead of defusing them. The bad boys plant
them: the wholesome churls are busy shoving their victims against
lockers. As I said in the last chapter… rage, smoldering rage.
I distinctly recall that the heart-throbs of my
female classmates were the Man from U.N.C.L.E. duo rather than
McGoohan, Redford and Newman rather than Eastwood and Bronson. Well, I
admit that I can understand the latter: the Eastwood man of marble,
having already degenerated from McGoohan into the icy rage of nihilism,
was a potential bomb-maker himself. Had I seen that as a boy, I might
have diagnosed my own rising rage… but still, I couldn’t and cannot
to this day comprehend the attraction of the sybaritic smart-aleck. I
tried and tried at the time. I even watched some of the girls’
favorite shows all the way to the end. It didn’t help: I remained
mystified. How could they idolize such soft, smirking, self-coddling
twits? How could they be swept off their feet by men who were so… so feminine?
Most of the guys came around to the girls’ way of
thinking, or pretended to. Sex is one of human existence’s great
motive forces, along with thirst and hunger, and few can cross the
desert of enduring abstinence any more than that Hollywood Sahara where
the airplane goes down. So the boys grew their hair out, modeled their
hips, openly whined about not wanting to die and needing somebody to
love… and the seventies happened. Far more than the sixties, which
were pretty tied-down until halfway through, the seventies were the
decade of our cultural degradation.
Certainly no decade was ever more forgettable. After
withdrawal from Vietnam, death became an illusion for young America, or
at most a Third World plague. Love was everywhere, but without conflict:
a woman’s world, to be sure. Or up to a point. It was a world without
consequence or commitment, which didn’t leave most girls very happy.
It was… free. God was fun, Jesus was a superstar, and you could buy
the whole world a Coke to dissolve any persisting bad vibes.
This spectacle taught me something very, very
important about being a man: that the real man cannot be defined
through female desire. Women tend to pine sexually for a man who is more
like them. (I’ll never forget one beautiful blonde telling me that all
the handsomest guys are gay… which, of course, left me wondering just
which side of the hand I was being slapped with.) The Gary Coopers and
John Waynes—and later, the Eastwoods and Schwarzeneggers—were
probably always more admired by males than females, but certainly were
so by 1980. Feminism was in the ascendancy. Men who "had it all
under control" were male chauvinists and enemies of freedom. Men
who "let it all hang out" were cute and sexy. None of these
bell-bottomed swingers would have accompanied Solzhenitsyn to the Gulag:
none of them could even have understood how or why he got himself into
such a mess. But they were just what the New Woman had ordered, so the
party began without any hint of the rage stirring behind its strobe
lights.
For men don’t really like not being men: it eats
away at them, and sooner or later it rises to their surface. When Queen
Dido manages to detain Aeneas for a year in Virgil’s Aeneid,
her riches, her power, and her sweet self suffice to distract him
somewhat from his sacred mission; but finally he can stand his life of
impotent luxury no more, and he resumes his voyage amid Dido’s shrieks
and curses. To Dido, his conduct would be insane if it were less brutal.
The season for smooth sailing has not even arrived—is he trying to
commit suicide? Homer’s Calypso contains herself rather better upon
the departure of her beloved Odysseus, but she, too, is surely
bewildered. Why would a man turn down immortality, a beautiful goddess’s
bed, and a life of idle beach-combing just to fight the seas and his
mortal enemies on a far shore?
The real man, the man of will power whose body breaks
before his resolve bends, is after all something of an insult to a
woman, I suppose. To a certain kind of woman, anyway. Life has a higher
vocation than her charms, be they ever so numerous and seductive: that
is what his devotion to duty announces. She must watch him leave her and
all she may represent—perhaps home and security and family as well as
mere torrid romancing—for the sake of some idea that no one can see or
touch. Grace Kelly’s character is furious with Gary Cooper’s in High
Noon for jeopardizing their life together, and probably sacrificing
his own life literally, just to prove that he isn’t a coward. A man’s
got to do what a man’s got to do… how crude, barbaric, stupid,
pointless, insensitive, egotistical, belligerent, and homicidal! Why not
enjoy what few perishable fruits this vale of tears offers? Eat, drink,
and party, for nothing lasts. Why hasten to your grave? Gather ye
rosebuds while ye may….
Andrew Marvel’s verse, of course, is a favorite
"line" among men in their efforts to seduce women: if you
refuse sexual offers for too long, the wrinkles will come and the offers
will disappear. I do not mean to suggest for an instant that women may
not live for a higher purpose, too, from which certain men struggle
diabolically to distract them. Devotion to principle is not an
exclusively male characteristic.
Yet it is an utterly necessary characteristic
for anyone who would be a true man—and perhaps the motive for this
devotion also differs somewhat from men to women. The man serves
principle in the abstract as duty, whereas the woman tends to embrace it
as the best means, over the long haul, of achieving social harmony.
Carolyn Graglia seems to me to model such practicality in arguing for
the truly feminine woman’s need of reserve.8 I for one find
her argument fully convincing. The woman who can say, "No rosebuds
today, please: you can either be permanent caretaker of the whole
garden, or you can stay at the gate," will eventually have far
deeper, richer experiences with the man she marries than the woman who
frolics with every lithe lad. I see no reason to deny that the same
common sense applies to the male’s experiences (though men are less
likely to appreciate it). If a man lives for something higher than
sensual gratification, and if he happens to meet a woman who shares that
higher calling, then he and his mate will very likely find that their
inattention to sensuality as an important end in life actually enhances
the physical magnetism of their union. There are some things you destroy
through analysis: a butterfly under a magnifying glass can’t fly. In
the same way, when you deliberately separate sex from love and brood
about how to spice up your "sex life", you are well on your
way to sabotaging both experiences—or both sides, I should say, of a
single experience.
I have much more to write about the "higher
calling". For now, let me return to the man who hearkens to it: the
real man. In the last decades of the tormented twentieth century, this
kind of man has no longer been able to count on the understanding and
support of a woman with that same calling. Instead, he has had to deal
with Didos and Calypsos—with Glorias and Naomis. I repeat that all
those femmes fatales and bad girls are right, in a way, about the
attempt to dominate them. What they cannot or will not see is that the
dominant force comes not from the man, but from the idea he serves.
Since feminism has joined the academic trend to reduce all value systems
and hierarchies to selfish bids for power, it is ideologically blind to
the notion of service. A man who is abstinent in his focus upon an ideal
can be only one of two things: a slavemaster trying to cow women into
submission or a fool who has sincerely enslaved himself to a
non-existent god. (I am assuming a world, of course, where everyone who
was once "in the closet" of dark aberration has come out:
surely that world is ours.) The very wellspring of this chaste male’s
manliness repels feminism’s votaries. He must serve their god of
unreferenced freedom—of Self and the dizzy thrill of self-serving
Power—to win a smile from them. And in the shackles of their freedom
dies whatever strength of will he ever had.
Does this mean that the degeneration of the
"real man" began with that of Wendy Shalit’s "modest
woman"—of the lady, if I may so call her? Ms. Shalit seems to
think so, and many are of her opinion. Certainly the percentage of real
men in the population is higher when ladies will not tolerate the
degenerate, effeminate kind. (I’ve avoided discussing sexual deviance
here: but it’s worth noting that if the New Woman’s handsomest man
is likely to be gay, she tends to caricature the strong-willed man
slanderously as a pedophile, or whatever could be worse.)9
Yet I have been working toward an argument that the fluctuating devices
and desires of women should not be allowed to determine what makes a
real man... so I would contradict myself if I fully concurred that the
vanishing of that man resulted from the lowered standards of women. What
I am about to say, on the other hand, may appear to contradict my
insistence that both men and women can hearken to a higher calling, so I
must express myself, very, very carefully.
Women, as I have implied already, are more pragmatic
than men. Forget about the scatterbrained fifties wife buying a new
dress that bankrupts her petty-executive husband: that, indeed, is a
sexual stereotype based entirely on passing custom. (Or to the extent
that it wasn’t, the cause may well have been the sudden deluge of
labor-saving household appliances—dishwashers, clothes-washers,
electric mixers—which left men wondering just what women did with all
their new time.) In a far more profound sense, women tend to reason with
reference to specific circumstances. Authors like Wendy Shalit, Carolyn
Graglia, and Christina Hoff Sommers are a case in point: they counsel a
return to more conventional behavior because they see it as the best way
to enhance the contemporary woman’s pleasure, happiness, and material
prosperity.10 They make a good pitch (especially Graglia, as
noted), and I hold their work in great esteem. Yet what I have been
calling a real man would scoff at all these motives for doing the right
thing—so much so that he might consider doing the wrong thing
just to affirm his will’s independence of circumstances. (Why else do
men tempt fate with dangerous hobbies and needless risks?) Women are
more Aristotelian: pleasure, for them, must number among the natural,
healthy "goods" of life along with a clean conscience. Men are
more Stoical, and in a sense more Platonic: unless they have been as
feminized as today’s man, they are more likely to be scandalized by
those who straddle the boundary between self-interested and
"pure" goodness.
Well, then… am I saying, after all, that
women are less principled, less equipped somehow for abstract
philosophizing? I suppose that depends on what you think of Aristotle!
History has clearly judged his principles very favorably. I would state
the distinction differently. I would say that men need a purity of
purpose, a mathematically abstract perfection of ideas, which can become
highly unrealistic and which, indeed, haunts them with a sense of
emptiness, of loneliness. That image of the Saharan desert to be
traversed is very powerful for a man. Women, on the other hand,
recognize better that no distinctions are clear and pure in reality,
that everything is tied to everything else. They make better literary
critics for that reason (or used to, before ideology trumped taste).
They understand how a woman might be passionately attracted to another
man yet not want to betray her husband; but they also understand that a
man, if passionately attracted to another woman, will often make the
stupid blunder in his male simplicity of leaving his wife to pursue a
mirage!
Why the difference? Hormones? Left brain/right brain?
The genetic code? I leave such explanations for the scientists to
quibble over—and I confess that I am not really very fond of deriving
human behavior from biological determinism. If such a thing as morality
is possible, then it must be equally applicable to men and to women; but
if men and women are fully controlled at different points by different
biological mechanisms, then they can’t fairly be held to similar
standards. (Actually, this "men and women are the same" case
was once made by feminists, and still is when they want a crack at
trying out for the football team; but the evils of testosterone are
decried far more often on campuses today. If the reader will pardon my
parenthetic cynicism, "research" seems to come stumbling along
after such trends in hope of funding rather than blazing new trails with
hard facts.) A man with no ear for music can chime in passably when a
hymn is sung at church; a woman with acrophobia will forget all about
heights if her child is stuck on a ladder; a boy who hates asparagus
will wolf it down if he can’t go play before his plate is clean.
People of both genders do things all the time which they’re not
naturally disposed to do. What conditioning could be so rigorous and
uniform that it draws a clear line between the male response and the
female response?
I propose child-bearing: this is one thing which most
females may do in their youth if they wish (or so they think) and which
no man can possibly do at any time. It isn’t a deterministic effect:
women aren’t forced to think about child-bearing the way geese are
forced to think about flying south in the autumn. With instinct, no true
thought goes on at all—and I am not hypothesizing some cuddly,
heart-warming maternal instinct which leaves men out in the cold. I
simply say that any woman with a functional brain is seriously
reflecting by early adolescence upon the possibility that she might one
day carry another life inside her. Her reflections may be grim. For some
reason, she may want very much for that day never to come. If so, she
will have to take certain precautions.11
But grim or expectant, fearful or joyful, such
thoughts twine a woman’s sense of reality intricately into her sense
of others, of community. I am convinced that this ever-looming presence
of community alarms some female intellectuals, especially, who do not
want to see their meditative existence compromised by extroverted
obligations of a strong and lasting nature. No wonder they envy the man
his freedom—no wonder they become feminists in search of a formal,
contractual liberation from pregnancy and family! It is the dark shadow
wherein they pass their days, this biological mechanism of theirs which
could so easily steal away their autonomy forever. If only they could
run wild and free on the male savanna, under the male sun….
"A gaze blank and pitiless as the sun,"
wrote Yeats in his nightmare of the Second Coming. What a male vision!
The ancient prophets, in both the Greco-Roman and the Hebrew worlds,
were almost all men (though a male god might possess a female to be his
mouthpiece in classical lore, as Apollo does the Sibyl). The man’s
gaze sweeps from horizon to horizon, from beginning to end, like a wind
in the desert that bloweth where it listeth. The mood is sublime, but
also, as Yeats said, blank and pitiless: empty, lonely, infinitely puny
and infinitely vast. Inhuman, in a way. Whence this great grand
emptiness in men, this free fall through the void? Isn’t it because
they can never bear a child? Sire children, yes—dozens or hundreds.
But every one of them, upon conception, would be physically tied to the
woman until the umbilical cord was cut, and then again tied to her until
her breast milk was no longer sought. A man can say, "That’s my
child!" all he wants, but no bond is ever formed which could not be
as easily formed with a stranger’s baby.
Furthermore, and more importantly, a man in any
society with even the most primitive degree of order must win over a
woman and satisfy certain customs before he may beget children. Only an
outlaw or a mortal enemy of the tribe would do otherwise, and his
punishment, if he were caught, could well be capital.12 A
woman, in contrast, may simply invite a man into her tent, send him on
his way in an hour, and have the fruit of their union entirely to
herself nine months later. The penalties for that behavior, too, could
be severe, but would not be life-threatening for either mother or child
in any culture I have ever heard of (excepting the burlesque legend in
Ariosto’s fourth canto, Rome’s no-nonsense attitude about its Vestal
Virgins, and the exotic savagery of certain Islamic fundamentalists).
Today, of course, out-of-wedlock childbirth is routine; and today, more
than ever, the father is considered wholly redundant to the arrangement.
So the man is cut loose, set free. Yes, there is a
kind of exhilaration to it—a kind which has been excessively
documented and absurdly exaggerated, in my opinion. Nobody has wasted
any ink trying to describe the frightful isolation of being so adrift,
of knowing that all of your relationships with others must be painfully
negotiated and maintained if they are to last—that no other person is
or ever will be, by nature, yours or of you. I speak not
genetically (for, by that nature, every child is one-half a man’s),
but emotionally, psychologically, viscerally. A genetic bond cannot be
seen the way anyone can see a cord being cut.
Perhaps men even tend to form their odd-ball
fraternities for this reason: that is, to share the burden of being cut
loose. Women get together and drink tea, quilt, or discuss books and
relatives. Men get together and drink beer, rough-house, or discuss how
to overthrow the government. Their groups are often tinged with the
anomalous and unruly, if not the sociopathic. They find a comfort,
perhaps, in briefly sharing the anguish of their desert crossing, and
perhaps even in showing it off. Soldiers on the front line sometimes
diffuse the tension by betting on where the next shell will fall or how
long the new lieutenant will last.
I do not contend that these dissimilar effects of
child-bearing have a truly major impact on the two genders, or one which
allows of no variation from case to case. Personally, I don’t like
beer or quilting. I’m not saying, either, that most men are
sooner or later plunged into grief because they don’t have a womb. Mr.
Freud tried that one on women in reverse, and they rightly resent his
presumption. I say simply that there is an obvious and valid reason why
men should feel less tied to the community than women—a reason based
in biology and as well supported by observing social groups of higher
mammals as by reflecting upon the human maturing process. As a result of
this detached perspective, men tend to see things more abstractly than
women and to be more suspicious than women of mixed motives and combined
purposes. They tend to think in Platonic ideals, and to act in Stoical
defiance of compromise. The "real man", at least, is like
that, and in being so he is closer to his male nature.
Which is good, as well as bad. The worldly
disappointments of Platonic idealism are compensated by high hopes in a
purer existence: the loneliness of crossing the desert is softened by
getting to see all the stars blaze forth at night. For the real man,
that’s a fair trade. He isn’t crippled by some neo-Freudian lack. He
doesn’t seek some "victim" status to rival that of those who
claim to be offended by his severity.
At the same time, though, he is grateful for a link
back to the community. Indeed, he yearns agonizingly for it, though he
will not sell out his principles to purchase it. There is a lack
in him, after all—but not a crippling lack, not an absence where
certain others have presence. He is not lacking a leg while others
around him have two. He lacks the ability to sit still, rather, and he
needs someone to slow him down and to represent him among the settled.
He is already a whole man, or as whole as a prophet can be in a world
separated from God; but his perfectly square corners could be perfectly
fitted into a coupling where they would not scar all the furniture.
In short, the real man longs for a woman. Maybe she
will bear his children, yes, and thereby make him part of his people’s
history and of their future. Yet his childlessness and woman’s
child-potential only symbolize the true source of his anguish: distance
from the community. A woman in and of herself is quite enough to make
him feel redeemed for the activities of civil society. If I may hearken
back to Hollywood Westerns for a moment, the lone man who rides in from
the desert is a terror to every citizen on the streets. Let him appear
the next day with a respected lady on his arm, however, and the town is
prepared to elect him sheriff.
Real men need women, yet they are not necessarily the
kind of man most pleasing to a woman. There lies the rub. The real man
often, perhaps even constantly feels the tension between his Stoical,
unbending nature and the approval he seeks from women who find that
nature somewhat repellent. Were he more "flexible", he would
be less tortured by the need for a complementary partner subtle enough
to negotiate his place in the community; but because women are more
compromising, they find the prospect of living with his severe nature
unattractive. They prefer the company of "softer" men
("more vulnerable", we would say now in our soft age)—who,
however, don’t particularly need them, and certainly not for the long
haul.
The ill-starred romance of Tolstoy’s Prince Andrei
and Natasha in War and Peace classically illustrates this
tension. Natasha regards her engagement to Andrei as too good to be
true: he is so strong, so valiant, so high-minded—so manly!
Eventually, the burden of being admired by such a perfectionist becomes
suffocating. The cad with whom she plans an elopement (which is
fortunately thwarted by her parents) is infinitely inferior to Andrei;
but, for that very reason, he seems to love her "as she is".
The history of philosophy tells us that Platonists
and Aristotelians, as well, caused each other to fidget. Yet how vastly
richer is our tradition because we have both schools of thought, and not
just one! Surely the ultimate truth is more closely approached by taking
both together than by choosing between them: so it is with men and
women. They are forever trying to draw the other across the center line.
Or, to put it more accurately (since this equilibrium of straining
alternatives is harmonious, but not quite true), women are forever
trying to draw the real man back from the edge of his precipice—to get
Marshall Kane out of town before high noon, to convince Sitting Bull
that today is not a good day to die. The men, in their turn, are
forever trying to keep this moderate influence, welcome and civilizing
though it is, from corrupting their bedrock of belief. Something
must be worth dying for, if not today, then tomorrow.
Which reveals, if you look closely, a deep
disequilibrium in gender relations: the real man actually prefers a
gentle, feminine lady to bring him back within the pale of culture,
while that lady will always be uneasy with her man’s severity as a
potential threat to their love, their home, their family, their
offspring’s future. Feminists have identified this disequilibrium as
male condescension. David gazes at cute little Dora, croons "She’s
so cute!", pats her on the head, puts her on a pedestal, and then
continues to brood over the destiny of the cosmos. It is a correct
assessment, but its condemnation isn’t fair. Were David to wear his
hair in curls as little Dora would have him and otherwise adjust all his
tastes, he would become a frivolous fop, anemic and impotent in the
world of ideas. He needs and craves her mitigation, but he also needs
(and feels honor-bound) to resist it at some point.
I have observed that many men fight this battle over
recreational dancing. The waltz allowed the man to stand erect and
square-shouldered as he glided across the floor: it was the perfect
expression of manly grace in motion. (Sergei Bondarchuk’s cinematic
version of War and Peace generates the most memorable images of
Prince Andrei from the grand ball where he meets Natasha.) Contemporary
dancing, however, feminizes men. It requires male and female alike to
melt into sensuous curves and to display themselves in extremely
"vulnerable" positions. As one woman remarked to me,
"Conservative guys are never good dancers." I don’t know
that her political distinction adequately isolates the group I have in
mind (it was a Reagan-era remark, in any case: words have changed their
meanings since then); but a real man would indeed be horribly
uncomfortable on today’s dance floor. Can you picture the Duke
"getting down"?
Of course, the feminists would counter that they don’t
want to turn David into Dora: they want Dora to become David. The "masculinized
woman", however, is no more a success than the feminized man.
Granted, no intelligent human being would want to spend life as a
simpering, feckless Barbie Doll—but that’s not what I mean by
femininity. (Dickens’s ball of fluff was not being offered above as a
paradigm: I would much sooner volunteer Natasha for that role.)
Femininity in this discussion is the complement to man’s abstract
idealism and existential aloneness: it is integration, compromise,
optimism, and social harmony. Women who find this immersion in community
suffocating and strive to attain a male liberation from it have one of
two effects upon men. In the straight-laced days when liberation was
forbidden from touching sexual conduct, these women chilled their men at
the heart. The Victorian woman typically expected her man to return with
his shield or on it, in Spartan style, from his empire-building
ventures. Her severity rivaled his, or surpassed it. Her dominant
personality has been comically immortalized in Lady Bracknell (The
Importance of Being Earnest). Purged of Wilde’s exquisite humor—which
in nowise belonged to her true character—she would have been a dynamo
of overpowering will. Kurtz’s mysterious fiancée in Heart of
Darkness is an extraordinarily spiritual example of the type.
Nevertheless, one must still wonder if a more sensible woman, less
resonant with "high ideals", might have pulled Kurtz back from
the bloody excesses of his crusade.13
Many of the late nineteenth century’s most
respectable men ended up in the arms of chorus girls. A plague of
syphilis struck down more than a few (such as Guy de Maupassant and
Winston Churchill’s father) as this most prim and proper of ages wound
to a close. No doubt, the chill of a domestic tranquillity feigned by
"decent people" and of abstract utopias drafted by a
reform-crazed middle class had much to do with the schizoid motif which
haunts the period’s literature. Dr. Jekyll and Mr. Hyde were born in
these years, as was Dorian Grey.
Then you have today’s liberated women, whose
masculinized nature is less defined by their inflexible ideals than by
their highly elastic sexual morals. Obviously, they are unlikely to
drive a man into the arms of "a rag, a bone, and a hank of
hair" (in Kipling’s phrase) with expecting their knight to die at
the head of the Light Brigade. Their effect upon men is intimidating and
feminizing for another reason. I remarked toward the first chapter’s
conclusion that they represent the death of love: I can explain that
more clearly now. As well as requiring that a man become ruled by
anti-social lusts to court them, they provide him no access to the
community from which his maleness distances him. They, too, would be
male: liberated of child-bearing and family, as free of commitment as a
rolling stone is of moss. The devoted sensuality into which they invite
their temporarily chosen man, while it feminizes him by corroding his
will power, masculinizes their own nature in the same motion, since it
threatens the stability of the community’s attachments. We may note,
by the way, that the sensuality which has caused the death of love is
neither a distinctly masculine nor feminine contribution. Just as
Platonists and Aristotelians are both highly principled in different
ways, so the worship of the senses, though it assumes different forms in
men and women, transcends their differences to spell ruin in either
idiom.
The specific poison which ultra-feminists have
injected into love—the contribution which is indeed all theirs—is a
deliberate, often eloquent contempt for the bourgeois family.
("Bourgeois"—burgische in German—is simply an
adjective formed from bourg or burg, a settlement, a place
where people live together by rules.) What man in his right mind would
select a feminist ideologue as his best hope of having and raising
children, or would even ask her to Thanksgiving dinner at his parents’?
Her contempt for such investments and ties, the most permanent things
this world has to offer, is withering. He’d be better off with a sweet
Mexican girl or a Chinese émigrée—"Yes," the
feminists taunt, "to wash your laundry and to call you
master!" "No," the real man responds, "to raise a
family and make tomorrow worth living. Too many days are good days to
die. Will someone not help me make them good days to live?"
Is this, then, the sad lot of today’s real man, as
I have called him: to seek out some unspoiled girl from a foreign
culture, probably far below his educational level and perhaps unable to
speak his language, just because she doesn’t resist her female genius
for participating and renewing? Is there no possibility that we might
reawaken the femininity of women in Western culture? Or is it precisely
femininity—even in the new, "masculinized" woman—which is
most repelled by manliness? Isn’t the Internet bride from the Ukraine
or Cambodia really running away from political chaos and economic misery
rather than shopping for the strong silent type? Don’t all women,
whether professors or seamstresses, dread that impervious, introverted
frown?
The strain between the sexes has only been exploited—not
invented—by feminists. It turns out to be very basic, as I shall
explain in the next chapter.
Professor Singleton’s next chapter, "Perpetual
Disequilibrium", pursues the notion that the socializing
tendencies of women are inevitably somewhat repelled by the go-it-alone
tendencies of men. From this timeless friction has emerged male
etiquette or "chivalry", the practice of mollifying severe
habits without sacrificing principle. Of course, chivalry is dead today—but
the true cause is less feminism than technological "progress"
which has made displays of manly courage invisible.
NOTES
1 Dr. Singleton describes himself as a "hired
gun in the culture wars who finally got dry-gulched" —an allusion
to his years of mopping up around various campuses by teaching moribund
Europeanist courses before they were finally jettisoned from the
curriculum. The present essay (an extract from a book ms.) is so
politically incorrect that he confesses he would not have submitted it
even to Praesidium were
it not for the encouragement of seeing similar heresies in these pages.
It is possible that that sentiment conceals a compliment.
2 In his famous
short story about a slave ship, "Tamango", Prosper Mérimée
inserted the following detail which bears repeating here: "In order
that his human cargo should suffer as little as possible from the
strains of the crossing, he [the captain] was careful to have the slaves
brought up on the bridge every day. In turns, a third of these wretches
would have an hour to imbibe its daily provision of fresh air."
What frivolous mind imagines that any captain ever granted the same
privilege to Irish émigrés?
3 I
translate directly: "Le sin, tharraing fear
de na mairnéalaigh buille de thua i gcaol na láimhe uirthi." See
Pádraig Ua Cnáimhsí, Idir an Dá Ghaoth (Baile Átha Cliatha:
Sáirséal, 1997), 191.
4 Cf. these sad
reflections of the Caddo chieftain José Maria, recorded in 1859:
"Heretofore we have had our enemies, the whites on one side, the
Camanches [sic] on the other; and of the two evils, we prefer the
former, as they allow us to eat what we raise, whilst the Camanches take
everything, and if we are to be killed, we should much rather die with
full bellies; we would therefore prefer taking our chances on the Brazos,
where we can be near the whites." Quoted in Cecile Elkins Carter, Caddo
Indians: Where We Come From (Norman and London: U of Oklahoma P,
1995), 322.
5 Jacques
Barzun, having reviewed the contributions of middle- and upper-class
women to letters and politics since the Renaissance, concludes,
"The notion that talent and personality in women were suppressed at
all times during our half millennium [1500-2000] except the last fifty
years is an illusion" (From Dawn to Decadence: 500 Years of
Western Cultural Life [New York: HarperCollins, 2000], 88). I myself
shall never forget my ostracism in a college English department for
having advanced the simple proposition: "If women’s writing has
been suppressed since antiquity in the West, then requiring that at
least 50% of a survey course’s contents be authored by women is
absurd; but if our literary past contains both male and female authors
in equal abundance, then women’s writing must not have been suppressed
in the past." The reader must pardon me if, on occasion in this
book, I cannot suppress my contempt for the slogan-ridden stupidity
propagated by our intellectuals.
6 See The De-Moralization of Society
(New York: Knopf, 1995), 83-84.
7 Wendy
Shalit, A
Return to Modesty: Discovering the Lost Virtue (New York: Free
Press, 1999), 28-29.
8 See
F. Carolyn Graglia, Domestic Tranquility: A Brief Against Feminism
(Dallas: Spence, 1998).
9 Cf. the passage cited
by Gianna DiRoberti in Arcturus 3.4 (p. 40) from Jacques Brenner’s
Une Femme d’Aujourd’hui (Paris: Éditions Albin Michel,
1966). This "portrait novel" is dedicated to proto-feminist
and Beauvoir votary Agnes Duran. At one point, when a virile young man
rejects Agnes’s efforts to sleep with him, she
concludes that he is a "disgusting pederast". In Brenner’s
own words, "Since Patrice Verchon was a good-looking guy, if he
repressed his desires, it had to be because they were
inadmissible."
10 In an extreme case,
Christina Hoff Sommers defends the "rape" scene of Gone
with the Wind (as certain feminists have preposterously called it)
on fully hedonistic grounds, insisting that the sisterhood should
distinguish between rape and ravishment (Who Stole Feminism? [New
York: Simon and Schuster, 1994], 264). She seems never to suspect that
this torrid romance must fail precisely because it is so dominated by
passion. In the same passage, she also vaguely applauds Camille Paglia
for exhorting women to enjoy male strippers.
11 This
seems a patently obvious distinction to me, even though my contacts in
academia flee it like the plague (the Ivory Tower is far too deeply
mired in "PC" politics and careerism to produce an objective
judgment on these matters). On the other end of the scale, John Gray’s
best-selling Men Are from Mars, Women Are from Venus offers no
theoretical basis for its arbitrary distinctions, and often reads like
the transcript of a talk show. I have tried to split the middle. One of
the alarming qualities of mass-marketed "studies" about gender
relations, whether the "sell" comes from the campus or Madison
Avenue, is their indifference to common sense.
12 Herodotus
[Histories 4.43] tells of one Sataspes whom the Persian King
Xerxes determined to castrate for raping a noble maiden. The sentence
was commuted: Sataspes was ordered to circumnavigate the African
continent, instead. But upon realizing that the mission was intended to
be fatal, Sataspes retraced his course and accepted the original
punishment.
13 In
his characteristically contrarian manner, Professor Barzun (see op.
cit., n. 4 of ch. 1), having reviewed nineteenth-century authors
from Hardy to Wells and Ibsen to Strindberg, declares, "After all
this it should be clear that the sexual revolution… took place then
and not now" (626). Yet the point isn’t that all Victorians
honored their marriage vows or that a no author ever scoffed at
monogamous convention; it is that ordinary people utterly dreaded the
thought of being found out in adultery. The death of this hypocrisy is
what signals the true revolution. All high principles become
hypocritical when they turn conventional, but rejecting the convention,
by the same token, shows a lapsed interest in the principle. As Gertrude
Himmelfarb has aptly remarked of Victorian extramarital relationships,
"Those caught up in such an ‘irregularity’ tried, as far as was
humanly possible, to ‘regularize’ it, to contain it within
conventional limits, to domesticate and normalize it" (The
De-Moralization of Society [op. cit.], 24). Himmelfarb later
cites the socialist Fabian Society’s Beatrice Webb on the evil of
"equal opportunity [for women], a fair field and no favour",
lest women "incapacitate themselves for child-bearing" (101)!
Even her chapter on "The New Women and the New Men" late in
Victoria’s reign (188-220) shows that sexual liberty was far more a
matter of chic than practice.
back to top
****************************************
Express Train to 1929
by
Steve Kogan
Steve Kogan, a native of Brooklyn, did
undergraduate and grad work at Columbia. He has taught English for more
than thirty years in the Borough of Manhattan Community College. His
publications range from Elizabethan masque and modern French and
American literature to the poetics of aircraft display. He has written
eloquently, as well, about the decline of undergraduate instruction.
in the whirl of sugarboom prices in the
Augustblistering sun yours truly tours the town and the sugary nights
with twenty smackers fifteen eightfifty dwindling in the jeans in search
of lucrative
and how to get to Mexico
or anywhere
John Dos Passos, "The Camera Eye (48)", U.S.A.
(1936)
The name of John Dos Passos has none of the
two-fisted glamor of a Jack Kerouac or Ernest Hemingway, yet the three
novels that make up U.S.A. are as gritty and exotic as anything
the latter pair ever wrote, and in Orient Express (1927) Dos Passos even
talks of living in the moment as though he were writing "beat
prose" thirty years before its time:
Between Ineboli and Samsoun. Lying on the empty
boat-deck of the Italian steamer Aventino ... The wind stirs my hair
and whispers in my ears; under my face the deck trembles warmly to the
throb of the engines. There’s no past and no future, only the
drowsy, inexplicable surge of moving towards the sunrise across the
rolling world. There’s no opium so sweet as the unguarded sunny
sleep on the deck of a boat when it’s after lunch in summer and you
don’t know when you are going to arrive nor what port you will land
at, when you’ve forgotten east and west and your name and your
address and how much money you have in your pocket.
ch. 3, "Trebizond"
It is "on the road" 1920s style, when a
generation of writers after World War I took off for the four corners of
the earth, among them Dos Passos, D. H. Lawrence, Hemingway, Orwell, and
the French writers Saint-Exupéry, Malraux, and Blaise Cendrars. Except
for Lawrence, everyone in this group also experienced war between 1914
and 1945, and Cendrars had already caught a glimpse of things to come
when he traveled on the Trans-Siberian during the Russo-Japanese War.
Chapter 12 of Orient Express is a meditation on his journey.
Sitting in a hotel room in Marrakesh after a meal of
"beef stewed in olives and sour oranges, couscous and cakes, seven
glasses of tea and a pipe of kif," Dos Passos returns to his notes
on Cendrars’ Prose of the Trans-Siberian and of Little Jean of
France (1913). The work "fits somehow" in the room,
"with its varnished pine furniture and its blue slopjar and its
faded dusteaten windowcurtains." Outside it is raining. A deserted
traintrack runs below his balcony, and a dirt road has been
"churned by motortrucks". It might almost be a picture of a
northern French or Belgian town left over from the Great War itself, a
kind of semi-industrial wasteland soaked in mud. There is, in fact,
something about the post-1918 world for Dos Passos that is all bound up
with rain and gasoline engines and empty railroad tracks, and except for
brief moments of joy and promise, there is not a scene in Orient
Express and U.S.A. that does not vibrate with a feeling of
disenchantment or desolation in some way. His trip to the middle east
begins on a cold, wet night in Ostend, where the damp air coming off the
train smells of "varnish and axlegrease", while "a lone
waiter stands beside a table" in an empty railway restaurant,
"teetering like a penguin" in "the arctic stillness"
of the room. Everything along the way seems frozen in space. Venice is a
lurid cutout from an opera set ("the Nile scene from Aida"
with the "chilly hands of the Adriatic groping for your
throat"), and the dining car is a nightmare fixed in stone. There
is an "iron-grey Standard Oil man" who says "he can size
up people at a glance," "an egg-shaped Armenian from New
York" who hates "clergymen and Balkan cookery",
sallow-faced Balkans with "dark rings under their eyes",
"two scrawny colonial Englishwomen", and "another
Armenian whose mother, father and three sisters were cut up into little
pieces before his eyes by the Turks in Trebizond."
From its opening pages at the time of the
Spanish-American War to the crash of ’29, U.S.A. reads like an
extended ride on the Orient Express. Young men out to see the world
huddle in icy freight trains and rusty merchant ships, midwestern girls
go to New York and Paris and become embittered by twenty-five, and new
types called "publicity experts" handle everything from real
estate to the peace conference at Versailles. The glamor of the Orient
Express is itself a fake, and all the ancient places are turning into
commercial copies of the west. Baghdad has an American bar, the Lama of
Tibet "listens in on Paul Whiteman ragging the Blue Danube,"
and "caterpillar Citroëns chug up and down the dusty streets of
Timbuctoo." Dos Passos himself goes from Harvard to front-line
ambulance service at Verdun, where his youthful letters and journals
become sharp and bitter overnight. His first major novel, Three
Soldiers (1921), portrays an entire generation ground "under
the wheels" and turned to "rust", and like Cendrars’
earlier rite of passage in The Trans-Siberian, it is enveloped in
an atmosphere of icy rains and battered towns, of midnight skies lit up
"as if the horizon were on fire," and of endless lines of
troop trains heading toward the front.
Paris has vanished and its enormous
flare in the sky
There’s nothing left but continual
cinders
Falling rain
Swelling clouds
And Siberia spinning...
In the rips in the sky insane
locomotives
Take flight
In the gaps
Whirling wheels mouths voices
And the dogs of disaster howling at
our heels...
Cendrars, The Trans-Siberian (trans. Dos
Passos). Orient Express
ch. 12, "Homer of the Trans-Siberian"
Dos Passos has seen the dogs of disaster for himself
in Europe and along the Orient Express. Like Cendrars, he is addicted to
travel and calls it a drug, his imagination fueled by worlds in
collapse. He reads the classical historians and Hebrew prophets and has
a first-rate eye for the whole swirling scene along his route, from the
ruins of Babylon to the British drive for oil, the Russian civil war,
refugees, typhus, cholera, and massacre. He seems to carry the whole
history and geography of the region in his mind, and no writer of his
time has described the postwar crackup more vividly than Dos Passos in
the sketches of his journey through the Middle East (1921-22):
You sit in a garden outside of the American Bar on
Tigris bank under some scrawny palms. At the foot of the grey mud bank
the Tigris runs almost the color of orangepeel in the evening light...
. Above our heads out of the dense sky the old gods of Chaldaea stare
with set unblinking eyes at the river and the bridge of boats and the
staffcars and the barracks and the littered trainyards and the fences
of barbed wire and the trenches and the sodawater factories and the
gutted bazaars and the moving-picture theaters and the great
straggling stinking camps of refugees.
ch. 9, "Baghdad Bahnhof"
Sitting under the great dome of the old star gods and
their vanished kingdom, Dos Passos meditates on the wreckage of the
Russian and Ottoman empires and on the millions of soldiers who went up
in smoke in "the great bloody derailment of the War". He has
come to the Baghdad railway station by way of Turkey, Armenia, and
Soviet Georgia, an eye-witness to whole masses of people "caught
under the wheels of the juggernaut". He remembers the prophecies of
Jeremiah, and in chapter 12 he calls Cendrars a modern-day prophet of
our own "cruel and avenging gods. Turbines, triple-expansion
engines, dynamite, high tension coils." Maxwell Geismar got it
right in his introduction to The Big Money when he said that, of
all the American writers of his time, Dos Passos "really knew what
had happened to his society".
U.S.A. is the result of his conscious desire
to learn:
Steinmetz was a hunchback,
son of a hunchback lithographer.
He was born in Bavaria in eighteen-sixty five,
graduated with highest honors at seventeen from the Breslau Gymnasium,
went to the University of Breslau to study mathematics...
With a Danish friend he sailed for America steerage
on an old French line boat La Champagne,
lived in Brooklyn at first and commuted to Yonkers
where he... worked out the theory of the Third Harmonics and the law
of hysteresis which states in a formula the hundredfold relations
between the metallic heat, density, frequency, when the poles change
places in the core of a magnet under an alternating current.
It is Steinmetz’s law of hysteresis that makes
possible all the transformers that crouch in little boxes and
gableroofed houses in all the hightension lines all over everywhere.
The mathematical symbols of Steinmetz’s law are the pattern of all
transformers everywhere.
"Proteus", The 42nd Parallel
Science and invention, corporate finance, mass
journalism, Hollywood, the labor movement, and the rise of the radical
left—these are the forces at work in the lives of Dos Passos’
fictional characters and in his capsule biographies. Charley Anderson
belongs to the same world of mechanics as the Wright brothers, Ben
Compton shares the trade unionism of Eugene Debs, and Margo Dowling ends
up in the Hollywood of Rudolf Valentino. From The 42nd Parallel
to 1919 and The Big Money, historical events and
individual lives are so intertwined that each seems to be a creation of
the other, and it is one of Dos Passos’ gifts as a writer to be able
to convey a sense of history happening in the moment as a living thing.
Even in the headlines of his "Newsreel" episodes ("MOB
LYNCHES AFTER PRAYER," "LENIN FLEES TO FINLAND"), his
power of suggestion can evoke whole histories in a single line.
As in Orient Express, U.S.A. takes us
on a journey through an era, and in a classic opening that parallels
chapter 1 of Moby Dick, Dos Passos’ traveler appears on page 1
of The 42nd Parallel as though he were another Ishmael, heading
out upon "the flood-gates of the world":
The young man walks by himself, fast but not fast
enough, far but not far enough (faces slide out of sight, talk trails
into tattered scraps, footsteps tap fainter in alleys); he must catch
the last subway, the streetcar, the bus, run up the gangplank of all
the steamboats, register at all the hotels, work in the cities, answer
the wantads, learn the trades, take up the jobs, live in all the
boardinghouses, sleep in all the beds. One bed is not enough, one job
is not enough, one life is not enough.
In his introduction to Lonesome Traveler (1960),
Kerouac will similarly list "Everything" under "Principal
Occupations and/or Jobs":
... deckhand on ships, newspaper sportswriter (Lowell
Sun), railroad brakeman… sheet metal apprentice on the Pentagon
in 1942, forest service fire lookout 1956, construction laborer (1941)
Coupled with their longing for adventure is their
love of common speech and the remembered voices of their childhood days.
Kerouac recalls "long walks under old trees of New England at night
with my mother and aunt," and Dos Passos’ traveler remembers
similar voices
in his mother’s words telling about longago, in
his father’s telling about when I was a boy, in the kidding stories
of uncles, in the lies the kids told at school, the hired man’s
yarns, the tall tales the doughboys told after taps;
it was the speech that clung to the ears, the link
that tingled in the blood; U.S.A.
This living link to the past speaks directly to their
shared nostalgia for Whitman, whose long poetic line Dos Passos brought
into modern prose to embrace the sights and sounds of the new American
scene:
spine stiffens with the remembered chill of the
offshore Atlantic and the jag of frame houses in the west above the
invisible land and spiderweb rollercoasters and the chewinggum towers
of Coney Island and the freighters with their stacks way aft and the
blur beyond Sandy Hook
and the smell of saltmarshes warmclammysweet
remembered bays silvery inlets barred with trestles
the put-put before day of a gasolineboat way up the
creek
raked masts of bugeyes against straight tall pines
on the shellwhite beach
the limeycold reek of an oysterbed in winter
"The Camera Eye" (43), The Big Money
Hundreds of similar scenes recur throughout the
trilogy, and at the end of U.S.A. Dos Passos recapitulates his panoramic
novel by taking us on an cross-country flight as seen through the window
of a DC-3:
Roar of climbing motors slanting up into the inky
haze. Lights drop away. An hour staring along a silvery wing at a big
lonesome moon hurrying west through curdling scum. Beacons flash in a
line across Ohio....
Beyond the Mississippi dawn creeps up behind
through the murk over the great plains. Puddles of mist go white in
the Iowa hills, farms, fences, silos, steel glint from a river. The
blinking eyes of the beacons reddening into |